Thursday, February 05, 2009

Norman Solomon: Why Are We Still At War

(If this is of interest I recommend you check out the documentary based upon Norman Solomon's book War Made Easy available at Free Documentaries: WAR MADE EASY: HOW PRESIDENTS & PUNDITS KEEP SPINNING US TO DEATH. Something to keep in mind in the midst of Obamamania. Obamamania reminds me of the hysteria of the rock star adulation of JFK... in the mythology of the lost potential of Kennedy's reign we have repressed the fact that he was more militarily hawkish and socially conservative than Nixon at that time... imagine that? I'm not trying to do the apples and oranges thing here... just remaining cautious and observant in my role as a member of a democratic society. Courtesy of Wood's Lot :)

Why Are We Still at War?
by Norman Solomon
Guernica

The United States began its war in Afghanistan 88 months ago. “The war on terror” has no sunset clause. As a perpetual emotion machine, it offers to avenge what can never heal and to fix grief that is irreparable.

For the crimes against humanity committed on Sept. 11, 2001, countless others are to follow, with huge conceits about technological “sophistication” and moral superiority. But if we scrape away the concrete of media truisms, we may reach substrata where some poets have dug.

“Those to whom evil is done / Do evil in return.”

W.H. Auden: “Those to whom evil is done / Do evil in return.”

Stanley Kunitz: “In a murderous time / the heart breaks and breaks / and lives by breaking.”

And from 1965, when another faraway war got its jolt of righteous escalation from Washington’s certainty, Richard Farina wrote: “And death will be our darling and fear will be our name.” Then as now came the lessons that taught with unfathomable violence once and for all that unauthorized violence must be crushed by superior violence.

The U.S. war effort in Afghanistan owes itself to the enduring “war on terrorism,” chasing a holy grail of victory that can never be.

Early into the second year of the Afghanistan war, in November 2002, a retired U.S. Army general, William Odom, appeared on C-SPAN’s “Washington Journal” program and told viewers: “Terrorism is not an enemy. It cannot be defeated. It’s a tactic. It’s about as sensible to say we declare war on night attacks and expect we’re going to win that war. We’re not going to win the war on terrorism.”

But the “war on terrorism” rubric -- increasingly shortened to the even vaguer “war on terror” -- kept holding enormous promise for a warfare state of mind. Early on, the writer Joan Didion saw the blotting of the horizon and said so: “We had seen, most importantly, the insistent use of Sept. 11 to justify the reconception of America’s correct role in the world as one of initiating and waging virtually perpetual war.”

There, in one sentence, an essayist and novelist had captured the essence of a historical moment that vast numbers of journalists had refused to recognize -- or, at least, had refused to publicly acknowledge. Didion put to shame the array of self-important and widely lauded journalists at the likes of the New York Times, the Washington Post, PBS and National Public Radio.

The new U.S. “war on terror” was rhetorically bent on dismissing the concept of peacetime as a fatuous mirage.

Now, in early 2009, we’re entering what could be called Endless War 2.0, while the new president’s escalation of warfare in Afghanistan makes the rounds of the media trade shows, preening the newest applications of technological might and domestic political acquiescence.

And now, although repression of open debate has greatly dissipated since the first months after 9/11, the narrow range of political discourse on Afghanistan is essential to the Obama administration’s reported plan to double U.S. troop deployments in that country within a year.

To Read he Rest of the Essay

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