Dennis Lehane: Between Dorchester Ave and Sunset Boulevard
Radio Open Source
Dennis Lehane so rules the neighborhood of Noir (“Nwaaah,” as we say in Boston) that he gets street credit for work he didn’t write, like “The Departed” and “The Town.” But does the author of “Mystic River,” “Gone Baby Gone” and the new Moonlight Mile get credit enough for a body of artistic work now far beyond private-eye or “genre” of any kind — way beyond his gift for Boston-accented dialog?
Our conversation is about the murkier depths of his Gothic novel and movie “Shutter Island,” with Leonardo diCaprio as a U.S. Marshall apparently trapped in a Boston Harbor lock-up for the criminally insane in the 1950s. I think it’s Lehane’s version of the War on Terror. He says it’s more nearly his answer to the Patriot Act, his reliving of the Cold War and the repressions it licensed in America. “All past is prologue,” he remarks. “Noir is without a doubt the ultimate genre of ‘you cannot outrun the past’… That’s ‘Mystic River’: you cannot outrun your nature. You cannot escape the past.” “Shutter Island” in that sense turns out to be Dennis Lehane’s recapitulation of McCarthyism (an American Stalinism): those good old days when the CIA experimented with LSD and other psychotropic drugs on Federal prisoners and other unsuspecting guinea pigs. It was a time, he’s saying, that foreshadowed the suspension of habeas corpus and the tortures of Guantanamo and Abu Ghraib in the George Bush years.
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