Showing posts with label China Mieville. Show all posts
Showing posts with label China Mieville. Show all posts

Tuesday, July 13, 2010

Recommended Fiction: King Rat (China Mieville, 1998)

Recommended fiction:



Set in London, China Mieville's first book is high adventure with a dash of social criticism. Snaking through the reader like the Drum and Bass beats of the DJs in the story; incorporating the mythology/folklore of the Pied Piper, King Rat, Anansi and Loplop; playing on the tensions of fathers/sons and counterculture/authority ...

Monday, November 09, 2009

The Bat Segundo Show #298: China Mieville -- The City and the City

#298: China Mieville
The Bat Segundo Show



Subjects Discussed: When The City & The City was written, speculating on the novel’s setting, ratty technology and shambolic modern cities, passenger policy, comparisons between The City & The City and “Reports of Certain Events in London,” subconscious intent and conceptual framework, police procedural dialogue vs. melodramatic dialogue, whether an author’s voice is “reigned in” because of genre, the myths of genre constraints, steps taken in advance to alter voice, the dangers of reading while writing, maintaining two sets of momentum while writing two different books, the enabling qualities of thematics, multiculturalism in Canada, satire and political engagement within fiction, resisting critical labels within a cultural framework, Jacques Lacan, metaphors in fiction, Mieville’s frustrations with perceived author endorsements, readers who cling to rigid interpretation, disappointing mystery novels, designing endings as moral dilemmas, circumstances in which you can exonerate the author, Mary Doria Russell’s The Sparrow, uneasy books, the dangers of unease as an abstract concept, not distinguishing between aesthetic and emotive qualities within text, resisting post-structuralism, seeing text as part of social totality, and keeping people turning pages.

To Watch/Listen/Read