WikiLeaks, Ideological Legitimacy and the Crisis of Empire
by: Francis Shor
TruthOut
While empires try to maintain their hegemony through economic and military prowess, they must also rely on a form of ideological legitimacy to guarantee their rule. Such legitimacy is often embedded in the geopolitical reputation of the empire among its allies and reluctant admirers. Once that reputation begins to unravel, the empire appears illegitimate.
The establishment of the US empire in the aftermath of World War II built upon its economic and military supremacy. That empire created an architecture of financial and geopolitical institutions that served not only its own interests, but also those of global capital and international legal and democratic structures. There were, of course, myriad contradictions that materialized throughout the earliest cold war period, but much of the West accepted the general framework and ideological legitimacy of the empire. While a crisis of legitimacy emerged around the Vietnam War and the undermining of the Bretton Woods agreement by the Nixon administration, it was not until the end of the cold war and the development of reckless unipolar geopolitics over the last decade that a real decline in US hegemony became apparent.
Given the battered economic and military standing of the United States over the past several years, the hysterical reaction of the American political class over the recent release of State Department cables by WikiLeaks is not surprising. However, it is instructive to note the response of those in the West to such "displays (of) imperial arrogance and hypocrisy" as reported by Steven Erlanger in The New York Times. Erlanger cites an important editorial from the Berliner Zeitung that underscores the question of ideological legitimacy: "The U.S. is betraying one of its founding myths: freedom of information. And they are doing so now, because for the first time since the end of the cold war, they are threatened with losing worldwide control of information."
To Read the Rest of the Essay
"My task which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel--it is, above all, to make you see." -- Joseph Conrad (1897)
Showing posts with label Legitimation. Show all posts
Showing posts with label Legitimation. Show all posts
Monday, January 03, 2011
Friday, June 11, 2010
Jay Rosen: Eight key terms for determining legitimacy in journalism
Eight key terms for determining legitimacy in journalism
by Jay Rosen
Public Notebook
...
I'd start with the will to veracity, also known as truthtelling. Truthtelling even when it hurts or causes problems for your friends. Real journalists tell us what happened because it actually happened that way, and not some other way. All forms of legitimacy derive from this one.
Then I'd move on to a manifest concern for accuracy, as in getting it right and correcting it when wrong.
Third pillar: transparency, also called disclosure, so we know where you're coming from and what your stake is in the matter under review, if any.
Intellectual honesty: like when you paraphrase what Senator Brown says it actually does capture what Senator Brown says. This is sometimes called "fairness," but I think my term is more descriptive.
Currency, in the sense that you are trying to report what happened recently, to keep up with events and what is known now. Journalism is about the present, not what was true six months or six years ago. Legitimacy in journalism has something to do with a determination to keep us up to date with a shifting world.
Inquiry: not the perfect word but the closest fit I can find. I refer to the drive to find out, to inquire and reveal more than what lies on the surface. We all know of situations in which the person in question didn't lie but also didn't try... to find out. That's what I mean by inquiry: trying to find out. Journalism, to be journalism, must do that.
Utility, sometimes called by another name: public service. Journalists can get into legitimacy problems when they are trying to find out, but finding out serves no public purpose. Their legitimacy is clearest when the public interest is served by what they are striving to reveal to us.
Veracity, accuracy, transparency, intellectual honesty, currency, inquiry, utility. That's where I would start in attempting to define legitimacy in journalism. Providers of news, information and commentary who devote themselves to those seven things are solid citizens of Legit-a-land.
I have to add one more, but you will probably hate me for it because it will strike you as jargon, and all journalists claim to hate jargon (but "lede" is okay, right?) Anyway, my eighth pillar of legitimacy is polyphonicity. I know: awful term! It means "more than one sound."
Journalism to be fully legitimate needs to present a plurality of voices, not just one. I don't mean to invoke the gods of balance. They are false gods. I mean to suggest that journalism isn't a monologue. More than one person speaks in it. More than one angle is taken on the object.
Now I am sure you noticed that among my eight key terms for determining legitimacy in journalism one does not find such things as: objectivity, professionalism, "code of ethics," balance, getting paid, being incorporated as a commercial business, working full time at newsgathering, eschewing opinion, bearing a press pass, or getting certified by the (journalistic) powers that be.
To Read the Entire Essay
by Jay Rosen
Public Notebook
...
What would you say are some easily discernable, objective criteria to gauge legitimacy?
I'd start with the will to veracity, also known as truthtelling. Truthtelling even when it hurts or causes problems for your friends. Real journalists tell us what happened because it actually happened that way, and not some other way. All forms of legitimacy derive from this one.
Then I'd move on to a manifest concern for accuracy, as in getting it right and correcting it when wrong.
Third pillar: transparency, also called disclosure, so we know where you're coming from and what your stake is in the matter under review, if any.
Intellectual honesty: like when you paraphrase what Senator Brown says it actually does capture what Senator Brown says. This is sometimes called "fairness," but I think my term is more descriptive.
Currency, in the sense that you are trying to report what happened recently, to keep up with events and what is known now. Journalism is about the present, not what was true six months or six years ago. Legitimacy in journalism has something to do with a determination to keep us up to date with a shifting world.
Inquiry: not the perfect word but the closest fit I can find. I refer to the drive to find out, to inquire and reveal more than what lies on the surface. We all know of situations in which the person in question didn't lie but also didn't try... to find out. That's what I mean by inquiry: trying to find out. Journalism, to be journalism, must do that.
Utility, sometimes called by another name: public service. Journalists can get into legitimacy problems when they are trying to find out, but finding out serves no public purpose. Their legitimacy is clearest when the public interest is served by what they are striving to reveal to us.
Veracity, accuracy, transparency, intellectual honesty, currency, inquiry, utility. That's where I would start in attempting to define legitimacy in journalism. Providers of news, information and commentary who devote themselves to those seven things are solid citizens of Legit-a-land.
I have to add one more, but you will probably hate me for it because it will strike you as jargon, and all journalists claim to hate jargon (but "lede" is okay, right?) Anyway, my eighth pillar of legitimacy is polyphonicity. I know: awful term! It means "more than one sound."
Journalism to be fully legitimate needs to present a plurality of voices, not just one. I don't mean to invoke the gods of balance. They are false gods. I mean to suggest that journalism isn't a monologue. More than one person speaks in it. More than one angle is taken on the object.
Now I am sure you noticed that among my eight key terms for determining legitimacy in journalism one does not find such things as: objectivity, professionalism, "code of ethics," balance, getting paid, being incorporated as a commercial business, working full time at newsgathering, eschewing opinion, bearing a press pass, or getting certified by the (journalistic) powers that be.
To Read the Entire Essay
Thursday, January 21, 2010
Jay Rosen: Audience Atomization Overcome -- Why the Internet Weakens the Authority of the Press
(What I am working on with my students today (and monday)............ I have been working with a similar diagram for over a decade based upon a synthesis of Mao's guerilla warfare theories and Derrida's/Foucault's theories of discourse.... interesting to see it in other places... and for the more audio-inclined here is the podcast of an interview with Jay Rosen on Glenn Greenwald radio that first alerted me to this essay)
Audience Atomization Overcome: Why the Internet Weakens the Authority of the Press
by Jay Rosen
Press Think
In the age of mass media, the press was able to define the sphere of legitimate debate with relative ease because the people on the receiving end were atomized-- connected "up" to Big Media but not across to each other. And now that authority is eroding. I will try to explain why.
It’s easily the most useful diagram I’ve found for understanding the practice of journalism in the United States, and the hidden politics of that practice. You can draw it by hand right now. Take a sheet of paper and make a big circle in the middle. In the center of that circle draw a smaller one to create a doughnut shape. Label the doughnut hole “sphere of consensus.” Call the middle region “sphere of legitimate debate,” and the outer region “sphere of deviance.”
That’s the entire model. Now you have a way to understand why it’s so unproductive to argue with journalists about the deep politics of their work. They don’t know about this freakin’ diagram! Here it is in its original form, from the 1986 book The Uncensored War by press scholar Daniel C. Hallin. Hallin felt he needed something more supple—and truthful—than calcified notions like objectivity and “opinions are confined to the editorial page.” So he came up with this diagram.
Let’s look more carefully at his three regions.
1.) The sphere of legitimate debate is the one journalists recognize as real, normal, everyday terrain. They think of their work as taking place almost exclusively within this space. (It doesn’t, but they think so.) Hallin: “This is the region of electoral contests and legislative debates, of issues recognized as such by the major established actors of the American political process.”
Here the two-party system reigns, and the news agenda is what the people in power are likely to have on their agenda. Perhaps the purest expression of this sphere is Washington Week on PBS, where journalists discuss what the two-party system defines as “the issues.” Objectivity and balance are “the supreme journalistic virtues” for the panelists on Washington Week because when there is legitimate debate it’s hard to know where the truth lies. There are risks in saying that truth lies with one faction in the debate, as against another— even when it does. He said, she said journalism is like the bad seed of this sphere, but also a logical outcome of it.
2. ) The sphere of consensus is the “motherhood and apple pie” of politics, the things on which everyone is thought to agree. Propositions that are seen as uncontroversial to the point of boring, true to the point of self-evident, or so widely-held that they’re almost universal lie within this sphere. Here, Hallin writes, “journalists do not feel compelled either to present opposing views or to remain disinterested observers.” (Which means that anyone whose basic views lie outside the sphere of consensus will experience the press not just as biased but savagely so.)
Consensus in American politics begins, of course, with the United States Constitution, but it includes other propositions too, like “Lincoln was a great president,” and “it doesn’t matter where you come from, you can succeed in America.” Whereas journalists equate ideology with the clash of programs and parties in the debate sphere, academics know that the consensus or background sphere is almost pure ideology: the American creed.
3.) In the sphere of deviance we find “political actors and views which journalists and the political mainstream of society reject as unworthy of being heard.” As in the sphere of consensus, neutrality isn’t the watchword here; journalists maintain order by either keeping the deviant out of the news entirely or identifying it within the news frame as unacceptable, radical, or just plain impossible. The press “plays the role of exposing, condemning, or excluding from the public agenda” the deviant view, says Hallin. It “marks out and defends the limits of acceptable political conduct.”
Anyone whose views lie within the sphere of deviance—as defined by journalists—will experience the press as an opponent in the struggle for recognition. If you don’t think separation of church and state is such a good idea; if you do think a single payer system is the way to go; if you dissent from the “lockstep behavior of both major American political parties when it comes to Israel” (Glenn Greenwald) chances are you will never find your views reflected in the news. It’s not that there’s a one-sided debate; there’s no debate.
To Read the Rest of the Essay, View Diagrams, See Comments, and Access Links in the Essay to More Resources
Audience Atomization Overcome: Why the Internet Weakens the Authority of the Press
by Jay Rosen
Press Think
In the age of mass media, the press was able to define the sphere of legitimate debate with relative ease because the people on the receiving end were atomized-- connected "up" to Big Media but not across to each other. And now that authority is eroding. I will try to explain why.
It’s easily the most useful diagram I’ve found for understanding the practice of journalism in the United States, and the hidden politics of that practice. You can draw it by hand right now. Take a sheet of paper and make a big circle in the middle. In the center of that circle draw a smaller one to create a doughnut shape. Label the doughnut hole “sphere of consensus.” Call the middle region “sphere of legitimate debate,” and the outer region “sphere of deviance.”
That’s the entire model. Now you have a way to understand why it’s so unproductive to argue with journalists about the deep politics of their work. They don’t know about this freakin’ diagram! Here it is in its original form, from the 1986 book The Uncensored War by press scholar Daniel C. Hallin. Hallin felt he needed something more supple—and truthful—than calcified notions like objectivity and “opinions are confined to the editorial page.” So he came up with this diagram.
Let’s look more carefully at his three regions.
1.) The sphere of legitimate debate is the one journalists recognize as real, normal, everyday terrain. They think of their work as taking place almost exclusively within this space. (It doesn’t, but they think so.) Hallin: “This is the region of electoral contests and legislative debates, of issues recognized as such by the major established actors of the American political process.”
Here the two-party system reigns, and the news agenda is what the people in power are likely to have on their agenda. Perhaps the purest expression of this sphere is Washington Week on PBS, where journalists discuss what the two-party system defines as “the issues.” Objectivity and balance are “the supreme journalistic virtues” for the panelists on Washington Week because when there is legitimate debate it’s hard to know where the truth lies. There are risks in saying that truth lies with one faction in the debate, as against another— even when it does. He said, she said journalism is like the bad seed of this sphere, but also a logical outcome of it.
2. ) The sphere of consensus is the “motherhood and apple pie” of politics, the things on which everyone is thought to agree. Propositions that are seen as uncontroversial to the point of boring, true to the point of self-evident, or so widely-held that they’re almost universal lie within this sphere. Here, Hallin writes, “journalists do not feel compelled either to present opposing views or to remain disinterested observers.” (Which means that anyone whose basic views lie outside the sphere of consensus will experience the press not just as biased but savagely so.)
Consensus in American politics begins, of course, with the United States Constitution, but it includes other propositions too, like “Lincoln was a great president,” and “it doesn’t matter where you come from, you can succeed in America.” Whereas journalists equate ideology with the clash of programs and parties in the debate sphere, academics know that the consensus or background sphere is almost pure ideology: the American creed.
3.) In the sphere of deviance we find “political actors and views which journalists and the political mainstream of society reject as unworthy of being heard.” As in the sphere of consensus, neutrality isn’t the watchword here; journalists maintain order by either keeping the deviant out of the news entirely or identifying it within the news frame as unacceptable, radical, or just plain impossible. The press “plays the role of exposing, condemning, or excluding from the public agenda” the deviant view, says Hallin. It “marks out and defends the limits of acceptable political conduct.”
Anyone whose views lie within the sphere of deviance—as defined by journalists—will experience the press as an opponent in the struggle for recognition. If you don’t think separation of church and state is such a good idea; if you do think a single payer system is the way to go; if you dissent from the “lockstep behavior of both major American political parties when it comes to Israel” (Glenn Greenwald) chances are you will never find your views reflected in the news. It’s not that there’s a one-sided debate; there’s no debate.
To Read the Rest of the Essay, View Diagrams, See Comments, and Access Links in the Essay to More Resources
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