Robert McChesney: Capitalism and the Internet
Against the Grain
Two decades into the internet revolution, what's the state of a medium that was supposed to create new, perhaps utopian, relationships between people around the world? Why is it not dominated by collaborative, non-profit efforts like Wikipedia? Media critic Robert McChesney describes how capitalist interests have managed to enclose the non-commercial promise of the internet -- and argues that it doesn't have to be so. He also considers the state of online journalism.
To Listen to the Interview
Wednesday, March 16, 2011
Monday, March 14, 2011
Charles Eisenstein: The Ubiquitous Matrix of Lies
The Ubiquitous Matrix of Lies
by Charles Eisenstein
Reality Sandwhich
Let's begin with beer. Near my home I drive past a billboard advertisement for Coors Light. The slogan is, "Coors rocks Harrisburg." Now, does anybody actually believe that Coors does in fact "rock Harrisburg?" No. Does the Coors corporation itself believe it? No. Does anyone believe that Coors believes it? No. It is a lie, everyone knows it is a lie, and no one cares. Everyone automatically writes it off as an ad slogan, an image campaign.
The next sign advertises Miller Beer with the phrase, "Fresh beer tastes better." Does anyone actually think Miller is fresher than Budweiser, Coors, or Pabst? No. Does anyone at Miller Brewing think that? No. It is another obvious and unremarkable lie, beneath the threshold of most people's awareness. But it contributes to a feeling of living in a phony world where words don't matter and nothing is real.
Here is another beer slogan, for Carlsburg: "Probably the best beer in the world." Obviously, the word "probably" has been chosen to suggest that someone devoted great consideration to this question, sampled all the world's great beers, and finally issued an impartial judgment. Of course, nothing of the sort happened. No one thinks it did. Everyone knows that actually what happened is a bunch of advertising pros thought up a slogan in an effort to create an "image." Isn't it remarkable that lies are still effective even when no one believes them? Unfortunately, when it hardly matters whether words are truth or lies, then words lose their power to convey the truth.
Continuing on my way, I drive past the Colonial Park Mall, a generic, boxy edifice amidst a vast expanse of concrete. There is no park here, nor is there actually any connection with anything "colonial," a word chosen to evoke an image of simple times, kind folk, and quality craftsmanship. The mall is home to a food court called "Café in the Park," a name chosen to evoke (who knows?) a Parisian café with outdoor tables under the shade of the trees. Basically, the entire name is a lie. No café, no park, nothing colonial. And this lie is, again, completely unremarkable.
Increasingly, words don't mean anything. In politics, campaigning candidates make statements that flatly contradict their actions and policies, and no one seems to object or even care. It is not the routine dissembling of political figures that is striking, but rather our near-complete indifference to it. We are as well almost completely inured to the vacuity of advertising copy, the words of which increasingly mean nothing at all to the reader. Does anyone really believe that GE "brings good things to life?" Or that a housing development I passed today - "Walnut Crossing" - actually has any walnut trees or crossings? From brand names to PR slogans to political code-words, the language of the media that inundates modern life consists almost wholly of subtle lies, misdirection, and manipulation.
We live in a ubiquitous matrix of lies, a sea of mendacity so pervasive that it is nearly invisible. Because we are lied to all the time, in ways so subtle they are beneath conscious notice, even the most direct lies are losing their power to shock us.
The most shocking thing about the lies of the Bush administration was that those lies were not actually shocking to most people. Why do we as a society seemingly accept our leaders' gross dishonesty as a matter of course? Why does the repeated exposure of their lies seem to arouse barely a ripple of indignation among the general public? Where is the protest, the outrage, the sense of betrayal?
It is certainly not to be found in the person of Barack Obama. Just as there is little difference between Coors and Miller, so also is there little difference in the policies of Bush and Obama. I realize that this statement will provoke outrage from many of my readers. Sure, there are some differences between them - enough to establish Obama as a new brand - but the basic course of empire, of finance, the military, medicine, law, education, of all the defining institutions of our society remains unchanged.
To Read the Rest of the Essay
by Charles Eisenstein
Reality Sandwhich
Let's begin with beer. Near my home I drive past a billboard advertisement for Coors Light. The slogan is, "Coors rocks Harrisburg." Now, does anybody actually believe that Coors does in fact "rock Harrisburg?" No. Does the Coors corporation itself believe it? No. Does anyone believe that Coors believes it? No. It is a lie, everyone knows it is a lie, and no one cares. Everyone automatically writes it off as an ad slogan, an image campaign.
The next sign advertises Miller Beer with the phrase, "Fresh beer tastes better." Does anyone actually think Miller is fresher than Budweiser, Coors, or Pabst? No. Does anyone at Miller Brewing think that? No. It is another obvious and unremarkable lie, beneath the threshold of most people's awareness. But it contributes to a feeling of living in a phony world where words don't matter and nothing is real.
Here is another beer slogan, for Carlsburg: "Probably the best beer in the world." Obviously, the word "probably" has been chosen to suggest that someone devoted great consideration to this question, sampled all the world's great beers, and finally issued an impartial judgment. Of course, nothing of the sort happened. No one thinks it did. Everyone knows that actually what happened is a bunch of advertising pros thought up a slogan in an effort to create an "image." Isn't it remarkable that lies are still effective even when no one believes them? Unfortunately, when it hardly matters whether words are truth or lies, then words lose their power to convey the truth.
Continuing on my way, I drive past the Colonial Park Mall, a generic, boxy edifice amidst a vast expanse of concrete. There is no park here, nor is there actually any connection with anything "colonial," a word chosen to evoke an image of simple times, kind folk, and quality craftsmanship. The mall is home to a food court called "Café in the Park," a name chosen to evoke (who knows?) a Parisian café with outdoor tables under the shade of the trees. Basically, the entire name is a lie. No café, no park, nothing colonial. And this lie is, again, completely unremarkable.
Increasingly, words don't mean anything. In politics, campaigning candidates make statements that flatly contradict their actions and policies, and no one seems to object or even care. It is not the routine dissembling of political figures that is striking, but rather our near-complete indifference to it. We are as well almost completely inured to the vacuity of advertising copy, the words of which increasingly mean nothing at all to the reader. Does anyone really believe that GE "brings good things to life?" Or that a housing development I passed today - "Walnut Crossing" - actually has any walnut trees or crossings? From brand names to PR slogans to political code-words, the language of the media that inundates modern life consists almost wholly of subtle lies, misdirection, and manipulation.
We live in a ubiquitous matrix of lies, a sea of mendacity so pervasive that it is nearly invisible. Because we are lied to all the time, in ways so subtle they are beneath conscious notice, even the most direct lies are losing their power to shock us.
The most shocking thing about the lies of the Bush administration was that those lies were not actually shocking to most people. Why do we as a society seemingly accept our leaders' gross dishonesty as a matter of course? Why does the repeated exposure of their lies seem to arouse barely a ripple of indignation among the general public? Where is the protest, the outrage, the sense of betrayal?
It is certainly not to be found in the person of Barack Obama. Just as there is little difference between Coors and Miller, so also is there little difference in the policies of Bush and Obama. I realize that this statement will provoke outrage from many of my readers. Sure, there are some differences between them - enough to establish Obama as a new brand - but the basic course of empire, of finance, the military, medicine, law, education, of all the defining institutions of our society remains unchanged.
To Read the Rest of the Essay
Sunday, March 13, 2011
Benjamin J. Dueholm: Rules of Misbehavior
Rules of Misbehavior: Dan Savage, the brilliant and foul-mouthed sex columnist, has become one of the most important ethicists in America. Are we screwed?
By Benjamin J. Dueholm
Washington Monthly
...
After twenty years of churning out “Savage Love,” the Seattle writer can lay a legitimate claim to being America’s most influential advice columnist. He is syndicated across the world in more than seventy newspapers—mainly alternative weeklies in the United States—with well over one million in total circulation. Online, he reaches millions more readers. He is a frequent contributor to the popular radio program This American Life, and a “Savage Love” television show on MTV is said to be in the works. His podcast has a higher iTunes ranking than those of Rachel Maddow or the NBC Nightly News, and his four books have sold briskly (a fifth is due out in March). And when it suits him, the range of his commentary has become increasingly broad. In the space of one column—the one where he announced his purchase of Ann Landers’s desk—Savage offered advice to a thirty-year-old woman who wanted to sleep with a seventeen-year-old coworker (“It would be illegal for you to GO AHEAD”), fielded a question from a man with a childbirth fetish, and then, for good measure, advised the Bush administration to take a harder stance on Saudi Arabia.
Savage’s ability to mobilize legions of readers has also matured beyond the lobbing of incendiary Google bombs. Last fall, a streak of suicides by gay teenagers across the country inspired Savage and his husband, Terry, to post a video testimonial on YouTube. The two men recounted their difficulties growing up bullied and harassed, then held up their adult lives—and happiness as a couple—as evidence that, for gay people living in America, “it gets better.” Savage encouraged other people to film their own testimonials and post them online under the heading of the “It Gets Better Project.” A torrent of videos poured in, first from Savage’s regular readers, then from various Hollywood celebrities, and then from leaders in Washington. Hillary Clinton was quickly followed by Nancy Pelosi and President Obama himself, who delivered the line, “Every day, it gets better” from the White House.
It’s not every day that a sitting president takes cues from a sex columnist who once licked Gary Bauer’s doorknob. But for all his prowess as an advice writer and viral activist, Savage’s most lasting influence on American culture may ultimately register in a deeper and more enduringly significant realm: ethics. While he built his following by talking without fear or euphemism about the technical aspects of intimate life, Savage has moved inexorably over the years toward focusing on the moral ones. In so doing, he has carved a unique place for himself in the culture’s discourse about sex. For years, there have been moralizing voices on the right standing athwart the rush of sexual freedoms yelling “Stop,” and there have been others whose policy is to remain nonjudgmental toward sex as a form of expression. Savage yields to no one in his sexual libertarianism, but he has not been content to relegate the ideas of right and wrong to cultural conservatives. Wading deep into the free-fire zone of modern sexuality, he has codified a remarkably systematic—and influential—set of ethics where traditional norms have fallen away. The question is, into what kind of world do his ethics lead us?
s he tells it in the introduction to his first book, Savage Love: Straight Answers from America’s Most Popular Sex Columnist, Savage grew up in a home crammed with newspapers and porn. His grandfather, in whose apartment he lived, was a sportswriter for two Chicago dailies. His older brother stashed away copies of Penthouse and Playboy in the bedroom. He attributes his trajectory toward the advice-giving business to the combined influence of Ann Landers and Xaviera Hollander, who wrote the “Call Me Madam” advice column for Penthouse. He also eavesdropped on his mother, whom he called “a one-woman support group” for neighbors with problems that couldn’t be taken to a priest. The sexual revolution was well and truly on, but in the Savage household, it seems, the distinctions of mid-century American propriety still held. Newspapers casually cluttered the front room, while dirty pictures lurked under the bed. There were problems for priests and problems for sympathetic neighbors, questions for Ann Landers and questions for Xaviera.
These distinctions will be at least vaguely familiar to most Americans over the age of thirty. Savage came of age in the Indian summer of American prudery. Before Savage was born, Alfred Kinsey had begun to vex the identification of moral and behavioral norms in a way that would reverberate through the coming decades. Upon close examination, the zoologist reported, it turned out that the sexual behavior of the human animal—the term is Kinsey’s, and the choice is significant—is a good deal more varied than previously assumed. According to Kinsey’s sensational research, Americans were a lot gayer, more prone to cheating, and more sadomasochistic than the Archdiocese or the Tribune would ever want to acknowledge. Perhaps it was not the conduct of a few on the margins that had failed our moral norms, these findings suggested. Perhaps it was our norms that had failed us.
The ground beneath American sexual conventions was shifting dramatically, but the tremors only registered in mainstream culture with a considerable lag. In a 1967 column, Ann Landers published a “teen sex test” that posed a series of questions (“Have you ever been kissed while in a reclining position?” “Ever gone all the way?”) and assigned points to each one according to its gravity. By tallying up their scores, teens could find out whether they were “pure as the driven snow,” “passionate and headed for trouble,” or “condemned.” As time went by, however, more and more kids drifted toward the “condemned” end of the scale, and Landers had to update the test—first in 1978, then again in 1996.
Landers made her accommodations, but she never did start addressing the emotional and practical difficulties of, say, having a husband who insists on dressing up as a woodland animal when making love—or who wants to deviate from strict monogamy with his wife’s consent. Indeed, it was long difficult to find any cultural medium that navigated successfully between bashfulness and outright smut. Unless, that is, you lived in a city with an alternative weekly. Here was a publication format with one foot in the Tribune and one in the tattoo parlor. No dirty pictures, most likely, but plenty of news and events from the counterculture, an uncensored style book, and a bunch of personal ads aimed at gay men, lesbians, and bisexuals, all available for free at bookstores, coffee houses, head shops, food co-ops, and bohemian-friendly bars. A better setting and a more receptive audience for Dan Savage’s style of advice giving could not have been designed.
What was rather less obvious in 1991, when Savage took his place in the advice game, were the ways in which the explosion of online culture would finally break down the wall between the papers and the porn stash. Once adherents of every kink and fetish could find chat rooms, support groups, specially tailored erotica, and even social networking sites, two things happened: the culture suddenly appeared more sex-drenched than ever, and alternative media sources like the ones that published “Savage Love” could no longer get by simply serving as a bulletin board and instruction manual for erotic explorers. Savage, for his part, seemed to relish this moment of creative destruction, which all but demanded the sex columnist to perform a higher function. To those correspondents who still simply wanted to know where to find other people who shared their special hankerings, or who inquired after the meaning of some obscure sexual term, Savage impatiently pointed out the existence of Google. Instead, in his second decade as a writer, he has increasingly addressed himself to those correspondents troubled by the questions of right and wrong on the new intimate frontier.
To Read the Entire Article
By Benjamin J. Dueholm
Washington Monthly
...
After twenty years of churning out “Savage Love,” the Seattle writer can lay a legitimate claim to being America’s most influential advice columnist. He is syndicated across the world in more than seventy newspapers—mainly alternative weeklies in the United States—with well over one million in total circulation. Online, he reaches millions more readers. He is a frequent contributor to the popular radio program This American Life, and a “Savage Love” television show on MTV is said to be in the works. His podcast has a higher iTunes ranking than those of Rachel Maddow or the NBC Nightly News, and his four books have sold briskly (a fifth is due out in March). And when it suits him, the range of his commentary has become increasingly broad. In the space of one column—the one where he announced his purchase of Ann Landers’s desk—Savage offered advice to a thirty-year-old woman who wanted to sleep with a seventeen-year-old coworker (“It would be illegal for you to GO AHEAD”), fielded a question from a man with a childbirth fetish, and then, for good measure, advised the Bush administration to take a harder stance on Saudi Arabia.
Savage’s ability to mobilize legions of readers has also matured beyond the lobbing of incendiary Google bombs. Last fall, a streak of suicides by gay teenagers across the country inspired Savage and his husband, Terry, to post a video testimonial on YouTube. The two men recounted their difficulties growing up bullied and harassed, then held up their adult lives—and happiness as a couple—as evidence that, for gay people living in America, “it gets better.” Savage encouraged other people to film their own testimonials and post them online under the heading of the “It Gets Better Project.” A torrent of videos poured in, first from Savage’s regular readers, then from various Hollywood celebrities, and then from leaders in Washington. Hillary Clinton was quickly followed by Nancy Pelosi and President Obama himself, who delivered the line, “Every day, it gets better” from the White House.
It’s not every day that a sitting president takes cues from a sex columnist who once licked Gary Bauer’s doorknob. But for all his prowess as an advice writer and viral activist, Savage’s most lasting influence on American culture may ultimately register in a deeper and more enduringly significant realm: ethics. While he built his following by talking without fear or euphemism about the technical aspects of intimate life, Savage has moved inexorably over the years toward focusing on the moral ones. In so doing, he has carved a unique place for himself in the culture’s discourse about sex. For years, there have been moralizing voices on the right standing athwart the rush of sexual freedoms yelling “Stop,” and there have been others whose policy is to remain nonjudgmental toward sex as a form of expression. Savage yields to no one in his sexual libertarianism, but he has not been content to relegate the ideas of right and wrong to cultural conservatives. Wading deep into the free-fire zone of modern sexuality, he has codified a remarkably systematic—and influential—set of ethics where traditional norms have fallen away. The question is, into what kind of world do his ethics lead us?
s he tells it in the introduction to his first book, Savage Love: Straight Answers from America’s Most Popular Sex Columnist, Savage grew up in a home crammed with newspapers and porn. His grandfather, in whose apartment he lived, was a sportswriter for two Chicago dailies. His older brother stashed away copies of Penthouse and Playboy in the bedroom. He attributes his trajectory toward the advice-giving business to the combined influence of Ann Landers and Xaviera Hollander, who wrote the “Call Me Madam” advice column for Penthouse. He also eavesdropped on his mother, whom he called “a one-woman support group” for neighbors with problems that couldn’t be taken to a priest. The sexual revolution was well and truly on, but in the Savage household, it seems, the distinctions of mid-century American propriety still held. Newspapers casually cluttered the front room, while dirty pictures lurked under the bed. There were problems for priests and problems for sympathetic neighbors, questions for Ann Landers and questions for Xaviera.
These distinctions will be at least vaguely familiar to most Americans over the age of thirty. Savage came of age in the Indian summer of American prudery. Before Savage was born, Alfred Kinsey had begun to vex the identification of moral and behavioral norms in a way that would reverberate through the coming decades. Upon close examination, the zoologist reported, it turned out that the sexual behavior of the human animal—the term is Kinsey’s, and the choice is significant—is a good deal more varied than previously assumed. According to Kinsey’s sensational research, Americans were a lot gayer, more prone to cheating, and more sadomasochistic than the Archdiocese or the Tribune would ever want to acknowledge. Perhaps it was not the conduct of a few on the margins that had failed our moral norms, these findings suggested. Perhaps it was our norms that had failed us.
The ground beneath American sexual conventions was shifting dramatically, but the tremors only registered in mainstream culture with a considerable lag. In a 1967 column, Ann Landers published a “teen sex test” that posed a series of questions (“Have you ever been kissed while in a reclining position?” “Ever gone all the way?”) and assigned points to each one according to its gravity. By tallying up their scores, teens could find out whether they were “pure as the driven snow,” “passionate and headed for trouble,” or “condemned.” As time went by, however, more and more kids drifted toward the “condemned” end of the scale, and Landers had to update the test—first in 1978, then again in 1996.
Landers made her accommodations, but she never did start addressing the emotional and practical difficulties of, say, having a husband who insists on dressing up as a woodland animal when making love—or who wants to deviate from strict monogamy with his wife’s consent. Indeed, it was long difficult to find any cultural medium that navigated successfully between bashfulness and outright smut. Unless, that is, you lived in a city with an alternative weekly. Here was a publication format with one foot in the Tribune and one in the tattoo parlor. No dirty pictures, most likely, but plenty of news and events from the counterculture, an uncensored style book, and a bunch of personal ads aimed at gay men, lesbians, and bisexuals, all available for free at bookstores, coffee houses, head shops, food co-ops, and bohemian-friendly bars. A better setting and a more receptive audience for Dan Savage’s style of advice giving could not have been designed.
What was rather less obvious in 1991, when Savage took his place in the advice game, were the ways in which the explosion of online culture would finally break down the wall between the papers and the porn stash. Once adherents of every kink and fetish could find chat rooms, support groups, specially tailored erotica, and even social networking sites, two things happened: the culture suddenly appeared more sex-drenched than ever, and alternative media sources like the ones that published “Savage Love” could no longer get by simply serving as a bulletin board and instruction manual for erotic explorers. Savage, for his part, seemed to relish this moment of creative destruction, which all but demanded the sex columnist to perform a higher function. To those correspondents who still simply wanted to know where to find other people who shared their special hankerings, or who inquired after the meaning of some obscure sexual term, Savage impatiently pointed out the existence of Google. Instead, in his second decade as a writer, he has increasingly addressed himself to those correspondents troubled by the questions of right and wrong on the new intimate frontier.
To Read the Entire Article
Project Censored Top 25 of 2011: #25 Prisoners Still Brutalized at Guantánamo
25. Prisoners Still Brutalized at Gitmo
by Scott Macky and Peter Phillips
Project Censored
In Guantánamo, the notorious but seldom-discussed thug squad, officially known as the Immediate Reaction Force (IRF), deployed by the US military remains very much active. Inside the walls of Guantánamo, the prisoners know the squad as the Extreme Repression Force.
In reality, IRF is an extrajudicial terror squad, the existence of which has been documented since the early days of Guantánamo. IRF has rarely been mentioned in the United States media or in congressional inquiries into torture. On paper, IRF teams are made up of five military police officers who are on constant standby to respond to emergencies. “The IRF team is intended to be used primarily as a forced-extraction team, specializing in the extraction of a detainee who is combative, resistive, or if [there is] the possibility of a weapon . . . in the cell at the time of the extraction,” according to a declassified copy of the Standard Operating Procedures (SOP) for Camp Delta at Guantánamo. The document was signed on March 27, 2003, by Major General Geoffrey Miller, the man credited with eventually “Gitmoizing” Abu Ghraib and other US-run prisons.
When an IRF team is called in, its members are dressed in full riot gear, which some prisoners and their attorneys have compared to “Darth Vader” suits. Each officer is assigned a body part of the prisoner to restrain: head, right arm, left arm, left leg, right leg. According to the SOP document, the teams are to give verbal warnings to prisoners before storming the cell: “Prior to the use of the IRF team, an interpreter will be used to tell the detainee of the discipline measures to be taken against him and ask whether he intends to resist. Regardless of his answer, his recent behavior and demeanor should be taken into account in determining the validity of his answer.” The IRF team is authorized to spray the detainee in the face with mace twice before entering the cell.
To Read the Rest ofthe Report
by Scott Macky and Peter Phillips
Project Censored
In Guantánamo, the notorious but seldom-discussed thug squad, officially known as the Immediate Reaction Force (IRF), deployed by the US military remains very much active. Inside the walls of Guantánamo, the prisoners know the squad as the Extreme Repression Force.
In reality, IRF is an extrajudicial terror squad, the existence of which has been documented since the early days of Guantánamo. IRF has rarely been mentioned in the United States media or in congressional inquiries into torture. On paper, IRF teams are made up of five military police officers who are on constant standby to respond to emergencies. “The IRF team is intended to be used primarily as a forced-extraction team, specializing in the extraction of a detainee who is combative, resistive, or if [there is] the possibility of a weapon . . . in the cell at the time of the extraction,” according to a declassified copy of the Standard Operating Procedures (SOP) for Camp Delta at Guantánamo. The document was signed on March 27, 2003, by Major General Geoffrey Miller, the man credited with eventually “Gitmoizing” Abu Ghraib and other US-run prisons.
When an IRF team is called in, its members are dressed in full riot gear, which some prisoners and their attorneys have compared to “Darth Vader” suits. Each officer is assigned a body part of the prisoner to restrain: head, right arm, left arm, left leg, right leg. According to the SOP document, the teams are to give verbal warnings to prisoners before storming the cell: “Prior to the use of the IRF team, an interpreter will be used to tell the detainee of the discipline measures to be taken against him and ask whether he intends to resist. Regardless of his answer, his recent behavior and demeanor should be taken into account in determining the validity of his answer.” The IRF team is authorized to spray the detainee in the face with mace twice before entering the cell.
To Read the Rest ofthe Report
Tuesday, March 08, 2011
Media Matters: Norman Solomon
Norman Solomon
Media Matters with Bob McChesney (WILL: Illinois Public Radio)

Norman Solomon is a columnist on media and politics. He wrote the nationally syndicated "Media Beat" weekly column from 1992 to 2009. Solomon is the founder and president of the Institute for Public Accuracy, a national consortium of policy researchers and analysts. His latest book is "Made Love, Got War: Close Encounters with America's Warfare State" (2007). Join McChesney and Solomon at 1pm on Sunday for a lively and informative discussion. http://www.normansolomon.com
To Listen to the conversation
Media Matters with Bob McChesney (WILL: Illinois Public Radio)
Norman Solomon is a columnist on media and politics. He wrote the nationally syndicated "Media Beat" weekly column from 1992 to 2009. Solomon is the founder and president of the Institute for Public Accuracy, a national consortium of policy researchers and analysts. His latest book is "Made Love, Got War: Close Encounters with America's Warfare State" (2007). Join McChesney and Solomon at 1pm on Sunday for a lively and informative discussion. http://www.normansolomon.com
To Listen to the conversation
Sunday, March 06, 2011
Media Matters: Andre Schiffrin, Publisher of The New Press
Andre Schiffrin
Media Matters with Bob McChesney
Andre Schiffrin has been a leading figure in the book publishing world for nearly 50 years. As head of Pantheon books Andre Schiffrin edited titles by Jean-Paul Sartre, Studs Terkel, Art Spiegelman, Noam Chomsky and Michel Foucault. In 1990 he resigned and set up the non-profit publishing house The New Press. Schiffrin has also written several of his own books, including A Political Education (Melville House), in which he examines socialist ideas in postwar America.
To Listen to the Conversation
Media Matters with Bob McChesney
Andre Schiffrin has been a leading figure in the book publishing world for nearly 50 years. As head of Pantheon books Andre Schiffrin edited titles by Jean-Paul Sartre, Studs Terkel, Art Spiegelman, Noam Chomsky and Michel Foucault. In 1990 he resigned and set up the non-profit publishing house The New Press. Schiffrin has also written several of his own books, including A Political Education (Melville House), in which he examines socialist ideas in postwar America.
To Listen to the Conversation
Jennifer Pozner in conversation: On the fakeness of reality shows, how ‘the dumb bimbo’ is cast, and why actresses are shrinking
Jennifer Pozner in conversation: On the fakeness of reality shows, how ‘the dumb bimbo’ is cast, and why actresses are shrinking
by Anne Kingston
Macleans (Canada)
Jennifer Pozner is the director of Women In Media & News in New York City and the author of Reality Bites Back: The Troubling Truth About Guilty Pleasure TV.
Q: Why do you say it’s “bulls–t” that viewer demand has created the deluge of reality TV?
A: Michael Hirschorn, the brain trust behind VH1’s Flavor of Love and Flavor of Love: Charm School and basically the guy who is responsible for bringing the modern minstrel show to television, has said in an interview that – this is the quote, “If women don’t want those shows they wouldn’t get made,” That’s what I call bulls–t, because what reality producers and what the entertainment press sells us is this notion that we, the public, have just demanded via massive ratings that they give us this bottom-feeder low-quality reality TV fare, and this is just a big lie. It’s true that some reality shows—American Idol, The Bachelor—have gotten high ratings, but many others languish with paltry ratings and they get to stay [on air] because these shows are really cheap to produce. It can cost about 50 per cent less—sometimes even 75 per cent less—to make a reality show than to make a quality scripted program.
Q: And they can also get advertisers to pay big money for stealth product placement.
A: People think that product placement is just a Coke can or a Coke cup on the desk at American Idol. But advertisers can pay millions of dollars per episode to integrate their products into the casting choices, the plot development, the dialogue, the scenery, the “challenges” of shows. Take The Apprentice, which has gotten upwards of $2 million per episode from a variety of Fortune 500 type companies to integrate into the challenges, so every episode is basically one long infomercial for Sony and Chrysler and candy bars and cars and sneakers. Some seasons The Apprentice has done very well in the ratings, and other seasons it’s done so poorly that NBC cancelled it. But then they hired a new entertainment division president, Ben Silverman, and he happened to be a former reality TV producer. He was one of the people responsible for producing a show called The Restaurant. NBC paid not one dime to create that show, it was created by a reality TV production company that works with advertisers to create content that advertisers want people to see, and then they gave that show, for free, to NBC. So NBC didn’t invest anything; they were just able to sell commercials. So Ben Silverman gets to NBC, realizes that The Apprentice was a cash cow even though the ratings had plummeted, reversed the decision to cancel The Apprentice, and then turned it into The Celebrity Apprentice, sprinkled D-list fairy dust on it and brought it back. Was it because people, the public, really wanted that show? No, it was plummeting in the ratings every single season since it debuted. Now it’s back because Silverman, a reality TV stealth advertising fan, decided that it was too cheap and too lucrative to let go.
Q: Do most people understand that what they’re watching is completely manufactured?
A: If you ask most people, “Do you think reality TV is real?” they’ll say, “Oh, no, no, I know it’s fake”—but in the next breath they’ll say, “Oh, but that bitch needed to get eliminated,” or, “Oh, but that guy was such a douchebag.” Well, if you think you know anything about any of the people you’ve seen on reality shows, you don’t know that the shows are not real. These shows aren’t any more real than Mad Men, without the cool clothes. But Mad Men, at least, is intentionally scripted to have a running critical commentary about the sexism and racism of the ’50s and early ’60s within the advertising industry.
Q: You argue that we need to readjust our definition of “scripted.”
A: Scripting doesn’t happen in the traditional sense of actors being given a 30-page manifesto to memorize. It starts with casting. Producers find people with addiction problems or anger problems, and think, “This will make great TV.” Women who are Mensa members or high achievers tend not to be cast. Women who are either sincerely “looking for their Prince Charming” or sincerely feeling down on their luck do. After casting, they then edit people into stock characters: the dumb bimbo, the catty bitch, the weepy loser who says, “I’m going to die alone if the bachelor doesn’t choose me!” For women of colour those stock characters are even more extreme. Editing is the predominant way that scripting happens. People don’t understand that for every 45 minutes of The Bachelor they see, more than 100 hours of film have been shot.
Q: You write about “Frankenbites,” the industry term for splicing various conversations together to create a fraudulent new one.
A: One of the most controversial scenes on any reality show was in Joe Millionaire. Viewers watched about five minutes of trees in the dark, nothingness. But what you heard were things like, “Do you think it would go better lying down?” And there were captions like “slurp” and “mmm.” Those bits of conversation were from an entirely different day. I’ll give you another example. One of the only Asian women who’d ever appeared on The Bachelor was a medical student named Tina Wu. She was recruited by the producers because the bachelor that year was a doctor, so they thought, “Oh, it would be good to have one person, at least, who has his medical stuff in common.” She hadn’t seen the show before, she thought, “Oh, maybe it’ll be a chance to have some fun vacation.” Well, she goes on the show, and she blogged about it in great, great detail—but she ripped that show to shreds. She talked about the psychologists they have behind the scenes who do all these intake interviews, so they knew that she had a very troubled relationship with her family, in particular her father. She hated being on the show, she said that it was filthy, there were rats running around the mansion, that there was very little food and constant alcohol. And she didn’t like the guy; she thought he was kind of boring. She would say on camera that she thought he didn’t really have a good since of humour, because at one point they’re out an a date where there’s big, huge yacht and he says something like, “Welcome to my yacht,” and she laughs about it because she knows that he can’t possibly afford that. She’s like, “Oh, you mean this is your yacht?” in this very kind of ha-ha way, calling attention to the product placement. Then they edit that to make her seem like she’s a dumb-ass and she really believes that this is, you know, “This is your yacht!”
She was edited into the girl who was too closed off, who wouldn’t open up, and that became the thing he would always say to her and other women would always say, “Why aren’t you opening up? You’re too cold.” So at one point she says to the producers on camera: “I’m not opening up because I’m not really interested in him, but being on this show, agreeing to do this show, was the thing I regret most in my life.”
Well, eventually, way, way, way longer into the show than she would have preferred, she eventually gets eliminated. When she finally got eliminated it was about 1:00 or 2:00 in the morning, she said, and she was grinning ear to ear, she was happy to go home. That didn’t play well with producers, and they kept saying to her, “We need you to cry,” and she wasn’t interested in crying, she wasn’t heart-broken. And they told her: “If you don’t show some real emotion here you’re just going to be edited into being, you know, the cold bitch.” And she was happy; she was going home, she didn’t want to cry. So they poke at her and poke at her and poke at her, and she’s still not giving them the tears that they want, so finally… now, imagine you’ve been up since, like, 7:00 in the morning, you’ve been in this high-pressure environment all day, and the producer is saying to you, “Don’t you think your father would be disappointed in you?” or things about your family. That’s where she cried. She felt betrayed that they would exploit her personal back story that way. And so what we saw as viewers was after she gets eliminated we hear her say, “I didn’t open up to the bachelor. This was the biggest regret of my life,” and then she cries. That’s a frankenbite.
Q: Have any contestants taken producers to task for misappropriating what they’ve said?
A: They sign away their rights to do so. In these very draconian contracts it says: “We can make a fiction out of you and we most likely will.” It says that in legal language but that’s basically the long and short of it. Not only do people sign away their rights to speak to the press negatively about the shows, they sign away their rights to own the intellectual property of things they create on shows like Project Runway or on American Idol, they sign away their rights to sue if they get injured or even killed on these shows. What these contracts do is they cause a chilling effect, because most people who show up on reality TV shows do so because they are hoping for some sort of big pay-day to change their life, right, so they’re not going to be people who have the kinds of resources to go up against Goliath, so they just don’t say all of the things that have seen happen behind the scenes. You know, they’ll maybe critique, “Oh, I didn’t like the way I was edited on the show,” to Entertainment Weekly or TV Guide, but they won’t say, “Here exactly is how they manipulate reality so that what you’re seeing is absolutely not real.”
To Read the Rest of the Interview
by Anne Kingston
Macleans (Canada)
Jennifer Pozner is the director of Women In Media & News in New York City and the author of Reality Bites Back: The Troubling Truth About Guilty Pleasure TV.
Q: Why do you say it’s “bulls–t” that viewer demand has created the deluge of reality TV?
A: Michael Hirschorn, the brain trust behind VH1’s Flavor of Love and Flavor of Love: Charm School and basically the guy who is responsible for bringing the modern minstrel show to television, has said in an interview that – this is the quote, “If women don’t want those shows they wouldn’t get made,” That’s what I call bulls–t, because what reality producers and what the entertainment press sells us is this notion that we, the public, have just demanded via massive ratings that they give us this bottom-feeder low-quality reality TV fare, and this is just a big lie. It’s true that some reality shows—American Idol, The Bachelor—have gotten high ratings, but many others languish with paltry ratings and they get to stay [on air] because these shows are really cheap to produce. It can cost about 50 per cent less—sometimes even 75 per cent less—to make a reality show than to make a quality scripted program.
Q: And they can also get advertisers to pay big money for stealth product placement.
A: People think that product placement is just a Coke can or a Coke cup on the desk at American Idol. But advertisers can pay millions of dollars per episode to integrate their products into the casting choices, the plot development, the dialogue, the scenery, the “challenges” of shows. Take The Apprentice, which has gotten upwards of $2 million per episode from a variety of Fortune 500 type companies to integrate into the challenges, so every episode is basically one long infomercial for Sony and Chrysler and candy bars and cars and sneakers. Some seasons The Apprentice has done very well in the ratings, and other seasons it’s done so poorly that NBC cancelled it. But then they hired a new entertainment division president, Ben Silverman, and he happened to be a former reality TV producer. He was one of the people responsible for producing a show called The Restaurant. NBC paid not one dime to create that show, it was created by a reality TV production company that works with advertisers to create content that advertisers want people to see, and then they gave that show, for free, to NBC. So NBC didn’t invest anything; they were just able to sell commercials. So Ben Silverman gets to NBC, realizes that The Apprentice was a cash cow even though the ratings had plummeted, reversed the decision to cancel The Apprentice, and then turned it into The Celebrity Apprentice, sprinkled D-list fairy dust on it and brought it back. Was it because people, the public, really wanted that show? No, it was plummeting in the ratings every single season since it debuted. Now it’s back because Silverman, a reality TV stealth advertising fan, decided that it was too cheap and too lucrative to let go.
Q: Do most people understand that what they’re watching is completely manufactured?
A: If you ask most people, “Do you think reality TV is real?” they’ll say, “Oh, no, no, I know it’s fake”—but in the next breath they’ll say, “Oh, but that bitch needed to get eliminated,” or, “Oh, but that guy was such a douchebag.” Well, if you think you know anything about any of the people you’ve seen on reality shows, you don’t know that the shows are not real. These shows aren’t any more real than Mad Men, without the cool clothes. But Mad Men, at least, is intentionally scripted to have a running critical commentary about the sexism and racism of the ’50s and early ’60s within the advertising industry.
Q: You argue that we need to readjust our definition of “scripted.”
A: Scripting doesn’t happen in the traditional sense of actors being given a 30-page manifesto to memorize. It starts with casting. Producers find people with addiction problems or anger problems, and think, “This will make great TV.” Women who are Mensa members or high achievers tend not to be cast. Women who are either sincerely “looking for their Prince Charming” or sincerely feeling down on their luck do. After casting, they then edit people into stock characters: the dumb bimbo, the catty bitch, the weepy loser who says, “I’m going to die alone if the bachelor doesn’t choose me!” For women of colour those stock characters are even more extreme. Editing is the predominant way that scripting happens. People don’t understand that for every 45 minutes of The Bachelor they see, more than 100 hours of film have been shot.
Q: You write about “Frankenbites,” the industry term for splicing various conversations together to create a fraudulent new one.
A: One of the most controversial scenes on any reality show was in Joe Millionaire. Viewers watched about five minutes of trees in the dark, nothingness. But what you heard were things like, “Do you think it would go better lying down?” And there were captions like “slurp” and “mmm.” Those bits of conversation were from an entirely different day. I’ll give you another example. One of the only Asian women who’d ever appeared on The Bachelor was a medical student named Tina Wu. She was recruited by the producers because the bachelor that year was a doctor, so they thought, “Oh, it would be good to have one person, at least, who has his medical stuff in common.” She hadn’t seen the show before, she thought, “Oh, maybe it’ll be a chance to have some fun vacation.” Well, she goes on the show, and she blogged about it in great, great detail—but she ripped that show to shreds. She talked about the psychologists they have behind the scenes who do all these intake interviews, so they knew that she had a very troubled relationship with her family, in particular her father. She hated being on the show, she said that it was filthy, there were rats running around the mansion, that there was very little food and constant alcohol. And she didn’t like the guy; she thought he was kind of boring. She would say on camera that she thought he didn’t really have a good since of humour, because at one point they’re out an a date where there’s big, huge yacht and he says something like, “Welcome to my yacht,” and she laughs about it because she knows that he can’t possibly afford that. She’s like, “Oh, you mean this is your yacht?” in this very kind of ha-ha way, calling attention to the product placement. Then they edit that to make her seem like she’s a dumb-ass and she really believes that this is, you know, “This is your yacht!”
She was edited into the girl who was too closed off, who wouldn’t open up, and that became the thing he would always say to her and other women would always say, “Why aren’t you opening up? You’re too cold.” So at one point she says to the producers on camera: “I’m not opening up because I’m not really interested in him, but being on this show, agreeing to do this show, was the thing I regret most in my life.”
Well, eventually, way, way, way longer into the show than she would have preferred, she eventually gets eliminated. When she finally got eliminated it was about 1:00 or 2:00 in the morning, she said, and she was grinning ear to ear, she was happy to go home. That didn’t play well with producers, and they kept saying to her, “We need you to cry,” and she wasn’t interested in crying, she wasn’t heart-broken. And they told her: “If you don’t show some real emotion here you’re just going to be edited into being, you know, the cold bitch.” And she was happy; she was going home, she didn’t want to cry. So they poke at her and poke at her and poke at her, and she’s still not giving them the tears that they want, so finally… now, imagine you’ve been up since, like, 7:00 in the morning, you’ve been in this high-pressure environment all day, and the producer is saying to you, “Don’t you think your father would be disappointed in you?” or things about your family. That’s where she cried. She felt betrayed that they would exploit her personal back story that way. And so what we saw as viewers was after she gets eliminated we hear her say, “I didn’t open up to the bachelor. This was the biggest regret of my life,” and then she cries. That’s a frankenbite.
Q: Have any contestants taken producers to task for misappropriating what they’ve said?
A: They sign away their rights to do so. In these very draconian contracts it says: “We can make a fiction out of you and we most likely will.” It says that in legal language but that’s basically the long and short of it. Not only do people sign away their rights to speak to the press negatively about the shows, they sign away their rights to own the intellectual property of things they create on shows like Project Runway or on American Idol, they sign away their rights to sue if they get injured or even killed on these shows. What these contracts do is they cause a chilling effect, because most people who show up on reality TV shows do so because they are hoping for some sort of big pay-day to change their life, right, so they’re not going to be people who have the kinds of resources to go up against Goliath, so they just don’t say all of the things that have seen happen behind the scenes. You know, they’ll maybe critique, “Oh, I didn’t like the way I was edited on the show,” to Entertainment Weekly or TV Guide, but they won’t say, “Here exactly is how they manipulate reality so that what you’re seeing is absolutely not real.”
To Read the Rest of the Interview
Media Matters: Lisa Graves, Executive Director for The Center for Media and Democracy
Lisa Graves, Executive Director for The Center for Media and Democracy
Media Matters with Bob McChesney (WILL: Illinois Public Media)
Lisa Graves is the Executive Director of the Center for Media and Democracy, the publisher of PR Watch, SourceWatch, and BanksterUSA. She joined the Center in mid-2009. She previously served as a senior advisor in all three branches of the federal government, as a leading strategist on civil liberties advocacy, and as an adjunct professor (at George Washington University Law School). She has written articles for a number of publications and also served as Managing Editor of the Cornell Law Review.
To Listen to the Conversation
Media Matters with Bob McChesney (WILL: Illinois Public Media)
Lisa Graves is the Executive Director of the Center for Media and Democracy, the publisher of PR Watch, SourceWatch, and BanksterUSA. She joined the Center in mid-2009. She previously served as a senior advisor in all three branches of the federal government, as a leading strategist on civil liberties advocacy, and as an adjunct professor (at George Washington University Law School). She has written articles for a number of publications and also served as Managing Editor of the Cornell Law Review.
To Listen to the Conversation
Saturday, March 05, 2011
Wednesday, March 02, 2011
Bill O'Reilly and FOX News: Propaganda Fails Miserably
Not only are they unethical, but they are lazy and stupid about it. Bill O'Reilly and FOX News caught lying again -- misrepresenting protesters in Wisconsin. Notice in the clip below how they use a clip to represent supposedly aggressive leftist Wisconsin protesters. Notice how the sun is shining and there are palm trees--this is not Wisconsin (Florida maybe) and these are not the protesters in Wisconsin.
Tuesday, March 01, 2011
On the Media: The Personal and Global Impact of the Web; Our Future with Technology
On the Media (NPR)
The Personal Impact of the Web
This week On the Media brings you a version of our first ever live show - a look at the internet and how it's changing us. First up, what is the net doing to as individuals? Does it make us better and more connected to each other? Or does it degrade our real life social connections and leave us at the mercy of long distance bullies? Bob and Brooke hash it out, with help from psychologist Sherry Turkle, writer Conor Friedersdorf, and net researcher Lee Rainie.
To Listen to the Conversation
The Global Impact of the Internet
Is the internet helping to free people from oppressive governments or is it simply giving those authoritarian regimes another way to spy on dissidents? Ethan Zuckerman from Harvard’s Berkman Center for Internet and Society joins Brooke and Bob to discuss the internet’s role — for better or for worse — in uprisings from Iran to Egypt.
To Listen to the Conversation
Our Future with Technology
As computers become smarter (and smaller), there's a good chance that in the future, the lines between humans and computers will begin to blur. What does that mean for our essential humanness? Clive Thompson, Jamais Cascio, Jaron Lanier and Ray Kurzweil discuss a future where machines can think like humans and people become one with the web.
To Listen to the Episode
The Personal Impact of the Web
This week On the Media brings you a version of our first ever live show - a look at the internet and how it's changing us. First up, what is the net doing to as individuals? Does it make us better and more connected to each other? Or does it degrade our real life social connections and leave us at the mercy of long distance bullies? Bob and Brooke hash it out, with help from psychologist Sherry Turkle, writer Conor Friedersdorf, and net researcher Lee Rainie.
To Listen to the Conversation
The Global Impact of the Internet
Is the internet helping to free people from oppressive governments or is it simply giving those authoritarian regimes another way to spy on dissidents? Ethan Zuckerman from Harvard’s Berkman Center for Internet and Society joins Brooke and Bob to discuss the internet’s role — for better or for worse — in uprisings from Iran to Egypt.
To Listen to the Conversation
Our Future with Technology
As computers become smarter (and smaller), there's a good chance that in the future, the lines between humans and computers will begin to blur. What does that mean for our essential humanness? Clive Thompson, Jamais Cascio, Jaron Lanier and Ray Kurzweil discuss a future where machines can think like humans and people become one with the web.
To Listen to the Episode
Monday, February 28, 2011
Yochai Benkler: Newspaper of the Future
Newspaper of the Future
On the Media
News existed before newsprint. Will it exist after? Of course, according to Yochai Benkler. What we confront, he argues, is a set of practical questions: what do we need in our news? What do we care about? The author of The Wealth of Networks describes our shift from the newspaper we get to the newspaper we seek.
To Listen to the Episode
More:
More Episodes on the Future of the Newspaper
On the Media
News existed before newsprint. Will it exist after? Of course, according to Yochai Benkler. What we confront, he argues, is a set of practical questions: what do we need in our news? What do we care about? The author of The Wealth of Networks describes our shift from the newspaper we get to the newspaper we seek.
To Listen to the Episode
More:
More Episodes on the Future of the Newspaper
Saturday, February 26, 2011
Friday, February 25, 2011
Empire: Information wars -- How will governments deal with the information revolution?
Information wars: How will governments deal with the information revolution?
Empire (Al Jazeera)
Information is power and in the age of the information revolution, cyber and satellite communication is transforming our lives, reinventing the relationship between people and power.
New media, from WikiLeaks to Facebook, Twitter to YouTube, is persistently challenging the traditional flow of information, and cyber disobedience is exposing powerful governments.
Websites are now being treated like hostile territories; whistleblowers and leakers as terrorists, and hackers as insurgents.
Governments are scrambling to salvage their influence and take advantage of the new cyber and satellite media. From China to the Sudan, Egypt to Iran, despots and armies are tracking web activity and setting up Facebook accounts to spy on their citizens.
So is this the century of free information and expression as the cyber utopians predicted, or new methods of electronic oppression as the cyber sceptics warned?
Joining Marwan Bishara to discuss these issues are: Carl Bernstein, a Pulitzer Prize-winning investigative journalist; Amy Goodman, the host and executive producer of Democracy Now!; Professor Emily Bell, the director of digital journalism at Columbia University; Evgeny Morozov, the author of The Net Delusion: The Dark Side of Internet Freedom; Professor Clay Shirky, the author of Cognitive Surplus: Creativity and Generosity in a Connected Age.
Our interviewees are: Daniel Ellsberg, the Pentagon Papers whistleblower; Charlie Beckett, the director of Polis at London School of Economics; Jeremy Goldkorn, the founder of Danwei.org, and Pink Ke, the co-founder of antiwave.net
Empire (Al Jazeera)
Information is power and in the age of the information revolution, cyber and satellite communication is transforming our lives, reinventing the relationship between people and power.
New media, from WikiLeaks to Facebook, Twitter to YouTube, is persistently challenging the traditional flow of information, and cyber disobedience is exposing powerful governments.
Websites are now being treated like hostile territories; whistleblowers and leakers as terrorists, and hackers as insurgents.
Governments are scrambling to salvage their influence and take advantage of the new cyber and satellite media. From China to the Sudan, Egypt to Iran, despots and armies are tracking web activity and setting up Facebook accounts to spy on their citizens.
So is this the century of free information and expression as the cyber utopians predicted, or new methods of electronic oppression as the cyber sceptics warned?
Joining Marwan Bishara to discuss these issues are: Carl Bernstein, a Pulitzer Prize-winning investigative journalist; Amy Goodman, the host and executive producer of Democracy Now!; Professor Emily Bell, the director of digital journalism at Columbia University; Evgeny Morozov, the author of The Net Delusion: The Dark Side of Internet Freedom; Professor Clay Shirky, the author of Cognitive Surplus: Creativity and Generosity in a Connected Age.
Our interviewees are: Daniel Ellsberg, the Pentagon Papers whistleblower; Charlie Beckett, the director of Polis at London School of Economics; Jeremy Goldkorn, the founder of Danwei.org, and Pink Ke, the co-founder of antiwave.net
On the Media: Closing the Book on Bloody Sunday
Closing the Book on Bloody Sunday
On the Media
Reporters rarely get a second chance to correct the record. But British reporter Peter Pringle did in 1998 when the British government decided to reopen the inquiry into Bloody Sunday, the 1972 massacre that took place in the city of Derry, Northern Ireland. In 2002 Brooke took a look at this tragic event and the role reporters played in revealing the truth. She also caught up with Peter Pringle again this week after the long-anticipated Saville Inquiry's report was finally released and the British Prime Minister apologized.
To Listen to the Episode
On the Media
Reporters rarely get a second chance to correct the record. But British reporter Peter Pringle did in 1998 when the British government decided to reopen the inquiry into Bloody Sunday, the 1972 massacre that took place in the city of Derry, Northern Ireland. In 2002 Brooke took a look at this tragic event and the role reporters played in revealing the truth. She also caught up with Peter Pringle again this week after the long-anticipated Saville Inquiry's report was finally released and the British Prime Minister apologized.
To Listen to the Episode
Thursday, February 24, 2011
Wikileaks: The Key Players
[Really no description necessary other than just watch and learn and think and discuss]
ABC (Notice that this is their Australian Channel--not USA)
"Meet Eight of the Central Players in the Wikileaks Saga as They Reveal the Story Behind the Story That Took the World by Storm."
To Hear the Statements
ABC (Notice that this is their Australian Channel--not USA)
"Meet Eight of the Central Players in the Wikileaks Saga as They Reveal the Story Behind the Story That Took the World by Storm."
To Hear the Statements
Wednesday, February 23, 2011
Silas House: My Polluted Kentucky Home
My Polluted Kentucky Home
By SILAS HOUSE
The New York Times
Berea, Ky.
LAST weekend I joined 19 other Kentuckians in a sit-in at the office of Gov. Steve Beshear. We were there to protest his support of mountaintop removal, a technique used by coal-mining companies that, as its name implies, involves blasting away the tops of mountains and hills to get at the coal seams beneath them.
Since it was first used in 1970, mountaintop removal has destroyed some 500 mountains and poisoned at least 1,200 miles of rivers and streams across the Appalachian coal-mining region. Yet Governor Beshear is so committed to the practice that he recently allied with the Kentucky Coal Association in a suit against the Environmental Protection Agency to block more stringent regulations of it. In court his administration’s lawyers referred to public opposition as simply “an unwarranted burden.”
The news media and the rest of the country typically think of mountaintop removal as an environmental problem. But it’s a human crisis as well, scraping away not just coal but also the freedoms of Appalachian residents, people who have always been told they are of less value than the resources they live above.
Over the past six years I’ve visited dozens of people who live at the edge of mountaintop removal sites. They bathe their children in water that has arsenic levels as high as 130 times what the E.P.A. deems safe to drink.
Their roads are routinely destroyed by overloaded trucks; their air is clouded with pollutants. Their schools sit below ponds holding billions of gallons of sludge. Their children lose sleep worrying that the sludge dams will break, releasing the sludge down upon them. It happened 40 years ago at Buffalo Creek, W.Va., killing 125 people, and it could happen again today.
It’s a horrible way to live. And yet, as it does in many other impoverished quarters of America, the news too often avoids covering Appalachia as if it were a no man’s land.
When a 3-year-old Virginia boy was crushed to death in his crib after a half-ton boulder was accidentally (and illegally) dislodged by a mining company, it barely made the national news. Many people around here believe the omission reflected that the child lived in a trailer home in the heart of coal country.
In 2000, 306 million gallons of sludge — 30 times more than the volume of oil spilled by the Exxon Valdez — buried parts of Martin County, Ky., as deep as 5 feet. Yet hardly anyone outside the region remembers the disaster, if they ever heard about it.
More recently, my friend Judy’s grandson was playing in a creek when he was suddenly surrounded by dozens of dead fish. Tests later proved that a coal company was releasing polyacrylamide — a cancer-causing agent used to prepare coal for burning — into the creek. When Judy complained to the state, no one replied. She recently died of brain cancer.
I’ve heard dozens of stories like these, but they rarely make it beyond the mountains. Is it any wonder then that Appalachian residents feel invisible?
In fact, invisible is how we’ve been taught to think of ourselves since coal was first discovered here. When I was little, teachers would stand over my desk and tell me that I had to change my accent if I wanted to get ahead in the world. Never mind that I had nearly perfect grammar and spelling.
We were also told the success of the mines mattered above all else, that if we complained about the dust, noise and disrespect pumped out by the mine in our community, people would lose jobs.
To Read the Rest of the Commentary
By SILAS HOUSE
The New York Times
Berea, Ky.
LAST weekend I joined 19 other Kentuckians in a sit-in at the office of Gov. Steve Beshear. We were there to protest his support of mountaintop removal, a technique used by coal-mining companies that, as its name implies, involves blasting away the tops of mountains and hills to get at the coal seams beneath them.
Since it was first used in 1970, mountaintop removal has destroyed some 500 mountains and poisoned at least 1,200 miles of rivers and streams across the Appalachian coal-mining region. Yet Governor Beshear is so committed to the practice that he recently allied with the Kentucky Coal Association in a suit against the Environmental Protection Agency to block more stringent regulations of it. In court his administration’s lawyers referred to public opposition as simply “an unwarranted burden.”
The news media and the rest of the country typically think of mountaintop removal as an environmental problem. But it’s a human crisis as well, scraping away not just coal but also the freedoms of Appalachian residents, people who have always been told they are of less value than the resources they live above.
Over the past six years I’ve visited dozens of people who live at the edge of mountaintop removal sites. They bathe their children in water that has arsenic levels as high as 130 times what the E.P.A. deems safe to drink.
Their roads are routinely destroyed by overloaded trucks; their air is clouded with pollutants. Their schools sit below ponds holding billions of gallons of sludge. Their children lose sleep worrying that the sludge dams will break, releasing the sludge down upon them. It happened 40 years ago at Buffalo Creek, W.Va., killing 125 people, and it could happen again today.
It’s a horrible way to live. And yet, as it does in many other impoverished quarters of America, the news too often avoids covering Appalachia as if it were a no man’s land.
When a 3-year-old Virginia boy was crushed to death in his crib after a half-ton boulder was accidentally (and illegally) dislodged by a mining company, it barely made the national news. Many people around here believe the omission reflected that the child lived in a trailer home in the heart of coal country.
In 2000, 306 million gallons of sludge — 30 times more than the volume of oil spilled by the Exxon Valdez — buried parts of Martin County, Ky., as deep as 5 feet. Yet hardly anyone outside the region remembers the disaster, if they ever heard about it.
More recently, my friend Judy’s grandson was playing in a creek when he was suddenly surrounded by dozens of dead fish. Tests later proved that a coal company was releasing polyacrylamide — a cancer-causing agent used to prepare coal for burning — into the creek. When Judy complained to the state, no one replied. She recently died of brain cancer.
I’ve heard dozens of stories like these, but they rarely make it beyond the mountains. Is it any wonder then that Appalachian residents feel invisible?
In fact, invisible is how we’ve been taught to think of ourselves since coal was first discovered here. When I was little, teachers would stand over my desk and tell me that I had to change my accent if I wanted to get ahead in the world. Never mind that I had nearly perfect grammar and spelling.
We were also told the success of the mines mattered above all else, that if we complained about the dust, noise and disrespect pumped out by the mine in our community, people would lose jobs.
To Read the Rest of the Commentary
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