Sunday, February 19, 2006

Dreaming of a Tiger

I dreamed I was hiking in Banff, Canada (a wild, beautiful place that had a huge impact on me when I visited it last summer, even as my marriage was falling apart), with my friend Tim (Tim wasn't with me on the trip, but there he was in the dream), who I haven't seen for a long time (which I feel guilty about because he and his wife have a beautiful new son that I haven't met yet), and we were talking about philosophical issues (one of the reason I love Tim like a brother), and we were being stalked by a tiger that looked just like this (having read David Quammen's Monster of God lately, the vivid cover staying in my mind):



I don't really have anything profound to say about it... I just woke up and it is still percolating in my mind... I also watched Martin Scorsese's Mean Streets lately:



... which has a scene with a tiger cub that is in a cage in the back of the bar, and petty hood's who are barreling toward a violent destiny (that they cannot escape) looking at it and wondering about this wild creature locked in a cage. I was watching it alone and started quoting William Blake's "Tiger, Tiger," the first poem I ever memorized:

The Tiger
by William Blake, 1757–1827

TIGER, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?

And what shoulder and what art
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand and what dread feet?

What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? What dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And water'd heaven with their tears,
Did He smile His work to see?
Did He who made the lamb make thee?

Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?

Leaving me shivering this morning wondering why a tiger was lurking last night in my fearful symmetry:



Fascination with the wild places that heal the soul, the important politics of friendship, the rusty cages of civilization that constrict the spirit, seeking insights from poetry, the importance of questions, the difficult languages of love (and sex)... and coming to terms with the absurd wound of life ... must be sunday...

Saturday, February 18, 2006

James Allen: Without Sanctuary

(Advisory--extremely disturbing, painful... but it is necessary that we do not forget, some of the materials are back online, including an illuminating flash movie with James Allen about his intent in putting together this exhibition/book)

Without Sanctuary: Artifacts of Lynching in America

Danielle Sacks: Scenes From the Culture Clash

Welcome to the consumer-children of corporate culture and efficient education, we were wondering when you would arrive, the world is waiting for your orders. One could say that the chickens have come home to roost--you must deal with what you engender?--Thivai

(Courtesy of a Cranky Professor)

Scenes from the Culture Clash: Companies are just now waking up to the havoc that the newest generation of workers is causing in their offices.
by Danielle Sacks
Fast Company

Beverly Hills psychiatrist's office is an unlikely triage center for the mash-up of generations in the workforce. But Dr. Charles Sophy is seeing the casualties firsthand. Last year, when a 24-year-old salesman at a car dealership didn't get his yearly bonus because of poor performance, both of his parents showed up at the company's regional headquarters and sat outside the CEO's office, refusing to leave until they got a meeting. "Security had to come and escort them out," Sophy says.

A 22-year-old pharmaceutical employee learned that he was not getting the promotion he had been eyeing. His boss told him he needed to work on his weaknesses first. The Harvard grad had excelled at everything he had ever done, so he was crushed by the news. He told his parents about the performance review, and they were convinced there was some misunderstanding, some way they could fix it, as they'd been able to fix everything before. His mother called the human-resources department the next day. Seventeen times. She left increasingly frustrated messages: "You're purposely ignoring us"; "you fudged the evaluation"; "you have it in for my son." She demanded a mediation session with her, her son, his boss, and HR--and got it. At one point, the 22-year-old reprimanded the HR rep for being "rude to my mom."

The patients on Sophy's couch aren't the twentysomethings dealing with their first taste of failure. Nor are they the "helicopter parents." They're the traumatized bosses, as well as the 47-year-old woman from HR who has been hassled time and again by her youngest workers and their parents. Now the pharmaceutical company that employs her has her in therapy, and she's on six-month stress leave.

And she's going to have plenty of company. Managers and their companies will have to deal with the 76 million children of baby boomers, born between 1978 and 2000, who have started pouring into offices across the land. Four generations are being asked to coexist at once: traditionalists (born before 1945), boomers (born 1946-1964), generation X (1965-1977), and millennials (alternately known as gen-Y, echo boomers, Net gen, and even "generation why," because they never stop questioning the status quo). Managers will be challenged to minimize the friction and maximize the assets of four distinct sets of work values and styles simultaneously.

The latest generation to join the mix is disruptive not only because of its size but because of its attitudes. Speak to enough intergenerational experts who study such things (and we spoke to more than a dozen of them), and you begin to get the picture: Millennials aren't interested in the financial success that drove the boomers or the independence that has marked the gen-Xers, but in careers that are personalized. They want educational opportunities in China and a chance to work in their companies' R&D departments for six months. "They have no expectation that the first place they work will at all be related to their career, so they're willing to move around until they find a place that suits them," says Dan Rasmus, who runs a workplace think tank for Microsoft. Thanks to their overinvolved boomer parents, this cohort has been coddled and pumped up to believe they can achieve anything. Immersion in PCs, video games, email, the Internet, and cell phones for most of their lives has changed their thought patterns and may also have actually changed how their brains developed physiologically. These folks want feedback daily, not annually. And in case it's not obvious, millennials are fearless and blunt. If they think they know a better way, they'll tell you, regardless of your title.

Meet any of the millennials now embarking on their careers, and this picture comes to life. Impatience with anything that doesn't lead to learning and advancement? "Nothing infuriates us more than busywork," says 24-year-old Katie Day, an assistant editor at Berkley Publishing, a division of Penguin Group USA. Fearlessness? "I don't have time to be intimidated," says Anna Stassen, a 26-year-old copywriter at the advertising agency Fallon Worldwide who treats her bosses like "the guys." "It's not that I'm disrespectful; it's just a waste of energy to be fearful." Permanently plugged in and juggling? "I'm constantly playing video games, on a call, doing work, and the thing is, all of it gets done, and it gets done well," says Beth Trippie, 26, a senior scheduling specialist, aptly enough, at Best Buy's corporate offices who's also finishing her MBA. "If the results aren't great, then fine; but if not, who cares how it gets done?"

To Read the Rest of the Article

I Am Alive With Pleasure: The Last Word On the Danish Cartoon Scandal and Protests

(Courtesy of Robert at loveecstasycrime)

Eric at i.am.alive.with.pleasure sums up brilliantly the cartoon scandal and protests:

i didn't want to get involved, i really didn't.

So you have your typical right-winger newspaper in Denmark, who-- surprise, surprise-- tend to score political points off provoking the 'opposing team'... so they publish cartoons... basically suggest that 'the other guys' are completely unreasonable and hate us and are probably evil. Unfortunately for them, other right-wingers, this time in Iran, pick up on that, see a chance to score political points by suggesting that 'the other guys' are completely unreasonable, and hate us, and are probably evil. All they wanted were some cheap political points, instead they got an international incident, which leads right-wingers, this time all over the world, to pick up on the chance to show how 'the other guys' are completely unreasonable and are probably evil and totally hate our guts. It's a transcontinental right-winger circle jerk, it's the Sam Huntington version of the special olympics. Fuck those guys.

Any body got anything else they want to add?

In that case, I'm selling tickets to the 'Transcontinental Right-Winger Circle Jerk' on ebay for $1200. Each ticket comes with airfare to Iraq, a Danish flag (suitable for waving or burning), a holy book of your choice, and thirty rounds of ammunition. No refunds.

Harold Pinter: On Paying Attention

"Does reality essentially remain outside language, separate, obdurate, alien, not susceptible to description? Is an accurate and vital correspondence between what is and our perception of it impossible? Or is it that we are obliged to use language only in order to obscure and distort reality - to distort what happens-because we fear it? We are encouraged to be cowards. We can't face the dead. But we must face the dead because they die in our name. We must pay attention to what is being done in our name."

Harold Pinter--Oh Superman (1990)

International Journal of Men's Health: Call For Papers

Special Issue: International Journal of Men's Health

In 2006 The International Journal of Men's Health plans to publish a special issue on men's bodies and body image. The edition will focus on men's bodies from a range of perspectives and from a variety of cultures, to highlight the emerging body-based issues faced by males throughout the lifespan and their implications for health. Authors are asked to focus on issues relating to body image and constructions of masculinities in order to provide the special issue with its unique perspective. Dr. Murray Drummond, University of South Australia, will be guest editor for this issue.

Completed manuscripts must be submitted no later than August 1, 2006 to be considered for the special edition.

Papers will be limited to 6,000-8,000 words while brief articles will run approximately 3,000 words.

For further information contact Murray Drummond at: Murray.Drummond@unisa.edu.au.

Elizabeth Cohn: Wal-Mart--An Interdisciplinary College Curriculum

(Courtesy of Dale Fitzgibbons)

You can print a free 37 page interdisciplinary college curriculum on Wal-Mart that is being distributed by Walmart Watch (a union organizing group). Faculty members are encouraged to send comments on the curriculum, as well as additional readings or assignments they use to teach about the issues raised in the curriculum, to .

Below is a short blurb about the curriculum followed by a longer
explanation.

------------

"Wal-Mart: A College Curriculum" is a 36-page, multi-disciplinary curriculum designed for college and university professors to incorporate into their undergraduate courses. The material is structured not as an integrated course curriculum, but rather as a series of five modules that allow faculty to select the parts that pertain to their own areas of teaching. Over 70 readings offer a variety of perspectives - some supportive of Wal-Mart and others critical. Introductions to each module, as well as discussion questions based on the readings and suggested assignments, are also included."

------------
NEW MULTI-DISCIPLINARY COLLEGE CURRICULUM ABOUT WAL-MART

Written for college professors. Wal-Mart's multi-faceted impact on society means that this curriculum reaches across academic disciplines, including Political Science, Sociology, Economics, Business, Management, Urban Planning, Geography, English, Labor Studies, American Studies, International Relations, Global Studies, Environmental Studies, and Women's Studies. This curriculum uses Wal-Mart as a case study to examine: Business and management decisions, Labor and the American economy, Global supply chains and market forces, Democracy and capitalism.

Wal-Mart, the largest company in the world, is praised and vilified with equal passion. Fortune magazine named it the most admired company in 2003 and 2004, while newspaper editorials lament "Wal-Martization."

Consumers praise its low prices while unions challenge the fairness of its business model. Communities across America are debating the pros and cons of welcoming new Wal-Mart stores. And Wal-Mart itself, from its outpost in Bentonville, Arkansas, has entered the debate full-force, pouring millions of dollars into public relations and image advertising.

What both admirers and critics of Wal-Mart agree on is that Wal-Mart - by virtue of its size, scale, and talent for innovation - is changing the world, or at least accelerating changes underway as a result of globalization. As the largest private employer in the United States, Wal-Mart sets the standard for wages and working conditions in retail, with ripple effects in other sectors. As the nation's largest grocery store, toy store, jewelry store, and third largest pharmacy, it affects rival businesses, large and small. And in its quest for "Always Low Prices," Wal-Mart has helped push manufacturing overseas and revolutionized the global supply chain in the process.

The public debate over Wal-Mart is just beginning. New books and academic studies on the subject, or related subjects, continue to be published. And a growing number of college professors are incorporating this subject matter into their courses.

To contribute to a better understanding of these profound changes in the world economy, Wal-Mart Watch, a campaign of the Center for Community & Corporate Ethics, has published Wal-Mart: A College Curriculum, written by Elizabeth Cohn. The Center was established in January 2005 to study the impact of large corporations on society and develop a set of standards for responsible corporate behavior.

Elizabeth Cohn has a Ph.D. in International Relations from American University. She has published on U.S. foreign policy and Latin America and taught for the last ten years at Goucher College and the Monterey Institute of International Studies.

"Wal-Mart: A College Curriculum" is a 37-page, multi-disciplinary curriculum designed for college and university professors to incorporate into their undergraduate courses. The material is structured not as an integrated course curriculum, but rather as a series of five modules that allow faculty to select the parts that pertain to their own areas of teaching. More than 70 carefully selected readings offer a variety of perspectives - some supportive of Wal-Mart and others critical. The curriculum also includes introductions to each module, discussion
questions based on the readings and suggested assignments.

The first module provides a brief overview of all of the issues that can be addressed by studying Wal-Mart, and then narrows the focus to the students' personal experiences with Wal-Mart. It can be used as a general introduction for those who have several weeks to devote to a Wal-Mart case study or as a cursory exploration for those who wish to devote only one class session.

The following four modules use Wal-Mart as a case study to examine:

* Business and management decisions: How Wal-Mart has shifted power from producers to retailers, through technological innovation and market dominance;

* Labor and the American economy: How Wal-Mart's labor practices affect wages and benefits within the retail sector and beyond, and raise important questions about the division of responsibility between corporations and government;

* Global supply chains and market forces: How Wal-Mart reflects and drives changes in the global economy, with emphasis on China's new role as the manufacturing center of the world;

* Democracy and capitalism: How local governments, small business, community groups, and citizens respond when Wal-Mart enters their community.

This curriculum examines the above trends and the problems they create, as well as different responses and solutions - such as citizen campaigns to make Wal-Mart more accountable to community stakeholders; labor protections, whether enacted through legislation or union representation; and social auditing of overseas factories and sourcing practices.

At the heart of this curriculum are fundamental questions about the political, economic and social direction of America and the world.

Wal-Mart's size and impact worldwide make it the ideal vehicle for a serious discussion of urgent questions of public policy and corporate responsibility. The guiding question, as Wal-Mart CEO H. Lee Scott, Jr. posed it at a town hall meeting in Los Angeles, concerns "the proper role of business and government in assuring that capitalism creates a decent society."

Wal-Mart's multi-faceted impact on society means that the curriculum reaches across academic disciplines, including Political Science, Sociology, Economics, Business, Management, Urban Planning, Geography, English, Labor Studies, American Studies, International Relations, Global Studies, Environmental Studies, and Women's Studies. Although interdisciplinary in nature, each module is generally geared toward
certain disciplines as follows:

Part I: Interdisciplinary overview
Part II: Business, Management, Sociology
Part III: Sociology, English, American Studies, Women's Studies, Labor Studies
Part IV: Economics, International Relations, Global Studies, Sociology
Part V: Political Science, Urban Planning, Geography, Environmental Studies

----
Elizabeth Cohn has a Ph.D. in International Relations from American University. She has published on U.S. foreign policy and Latin America and taught for the last ten years at Goucher College and the Monterey Institute of International Studies. She teaches in International Relations, international political economy, Latin American politics, U.S. foreign policy, American politics, and the media and politics.

Mia Bloom: Dying to Kill (University of Kentucky: Feb 21)

Mia Bloom is an affiliated faculty of Women's Studies at the University of Cincinnati and has done work on rape and war, and women as terrorists.
Mia Bloom's Webpage

The Patterson School presents
Mia Bloom
Assistant Professor of Political Science
University of Cincinnati

DYING TO KILL: THE MOTIVATIONS FOR SUICIDE TERROR

Tuesday, February 21st at 7:30 p.m.
Center Theatre, UK Student Center

Dissent!: University of Louisville



This symposium is a major academic component of a larger partnership among the University and a number of local organizations to create a forum for sustained discussion of the importance of dissent in our nation’s civic and cultural life. While the larger effort, to run January-April 2006, is focused on dissent as “An American Tradition,” the symposium is open to scholars working on dissent of any time and place. We define dissent as a social process and cultural value; we view it as a process by which minorities challenge the power of majorities, but also as part of the process by which majorities recast or reaffirm their fundamental beliefs. Dissent is enshrined in our system of government through the filibuster, embodied in the legal system by the dissenting opinion, lived out in our family lives through adolescent rebellion, and enmeshed in every aspect of our culture, ancient and modern, sacred and profane. From the cries of Job to the rants of Lenny Bruce, from the plays of Aristophanes to the poetry of Adrienne Rich and Sonia Sanchez, from the paintings of Goya to the graphics of Barbara Kruger and the silhouettes of Kara Walker, dissent has served as a driving force in literature and the arts, as well as in religion. It has animated movements for pacifism and for violent revolution, and has been a rhetorical mode for thinkers and actors on both ends of the political spectrum.

Dissent! is a series of events designed to bring together scholars, community groups and arts organizations, and the general public for an exploration of the idea of dissent as personal experience, social action, and artistic inspiration. We believe that humanistic and artistic inquiry into our core values and traditions can bridge ideological gaps and foster tolerance for political and personal differences. We hope that Dissent! will celebrate Kentucky's unique tradition of iconoclasm and dissent, and inspire community members to act on their own beliefs and to respect the rights of others to act on theirs.

For more check out: Dissent!

Geo-Sift: The Refined Drive

(Nothing like wasting a night away writing bad poetry ;)

Geo-Sift: The Refined Derive
by Michael Benton

Jean-Luc Nancy asks “What is to be done?”
Where are we heading?
What do we want/need/desire?
Who will stand up and lead the way?
The historical avant-gardes are but
ashes in the dustbin of history.
Their methods and ideas are now
just fodder for the latest corporate fad.

Debord’s spectacle is no longer a fantasy
but a reality that surrounds the confines
of our fake plastic world.
We are all just fish swimming mindlessly
through the cultural aquariums
that filter our mediatized landscapes.
Are you unhappy with your appearance?
Do you have a desire to confess on national TV?
What scandals shall occupy our minds,
diverting us from the truth and leading us astray?

Once again what is to be done?
We are dominated by the priesthood
of instrumental reasoning and sanctioned experts.
Confess your desires, we are the new religion.
The omniscient media uses sex and death
to decorate their myths of material satisfaction.
The cultural regulators in their ivory towers
despise the masses from the safety of their fortresses.
Feeling safe in their illusions
they continue to lose touch with reality.
Our political leaders are Waiting for Godot
They are as lost as we are, but unwilling to admit it.

We are no longer a product of nature.
Our technological wonders fuse with our psyches.
Flesh to machine, this is the age of the post-human.
Urban megacities dominate our global reality
Centers of power---they control information and finances.
Earlier theorists realized the importance of mapping
out these concrete jungles. To map the psyche
of our communal constructions.

This is the new pataphysics.
Jarry’s Ubu married to geology.
Collective memories mined
like the substrata of the earth.
Sifting the fallowed voices of our cities,
perceiving the core truths that are the foundations,
and disregarding the detrital productions
artfully designed to distract us.

Alterity

(Just diddling around, playing, I was, for some reason amused by the fact that alterity is also spelled as altarity ;)

A Celebration of Alterity
by Michael Benton

Alterity
Slippery word
whose meaning is
not decipherable
Never stated clearly
nor fixed firmly
The nerve of the word
Altarity

It may be approached,
though, if one dares,
through networks
of associations
Altar, Alter
Alternative, Alternation

I yearn to sacrifice
myself upon the
altar of her sexuality.
Yet, I hold back
fearing that the pleasure
may somehow alter me.

Her scent and taste
seizes the roots of my soul
What alternative is there?
I vacillate betwixt pleasure and pain
Ceaselessly resonating between
the yawning gaps of reason

Even the meaning of altarity
pecipitates a crisis
Symbol of difference
Naming of the OTHER
Its power mocks
conformity’s lack

Resist the conservative urge
to embrace sameness
Explore those who differ
Open up closed circuits
Rise up to celebrate
the eros of alterity

Advertisement For the Truth

Advertisement For the Truth

The production of writing resides in the momentary agency that is realized during the pregnant pauses of truths recognized from temporary anchoring points. In other words, while the notion of truth/s may be contested, this does not mean that there are no truths to be found, rather what this means is that truth/s are always partial and that truth/s are best expressed through a realization of the producer’s anchoring point, or situation/position, and the complex spider web (multiplicity) of relations that have produced this particular (singularity) view/truth. Lastly, we must remain open to the notion that our particular truth/s are affected by the changing positions/situations/materiality of our relations and that we must repeatedly test our notions of truth in the field of everyday life.

Global Tryst

Global Tryst is based in Washington D.C, U.S.A.

We believe in the oneness of humanity and global peace. The world is our home, but often it is apparent that war and strife result from closed societies, lack of freedom, and the due process of law. Be it small communities or great nations, open communication can overcome differences and divisions and enable greater understanding and cooperation.

Global Tryst is an endeavor to provide such a platform for open communication.

By enabling frontline workers and grassroots level workers to speak up on various issues they are familiar with, we offer a unique perspective on global issues ranging from global free trade to European integration, space travel to social strife and the global environment. In general, we solicit fact-based analyses of global events and occurrences. In doing so, we believe that Global Tryst serves as forum for world statesmanship.

But this is by no means all: In an effort to cultivate awareness of global cultures, Global Tryst offers a lot more beyond socio-political and economic issues through features on global cultures, customs, cuisine, art & theatre.

Kontroll (Nimrod Antal)

(From Michael)



Kontroll

Think about the typical independent or hollywood (schlock) film about people dealing with workplace problems--pure crap... must we even list them? There are a few that are lifted above bullshit, waste my time level-- Office Space has provided me amusement and food-for-thought...

So, why?, does a first-time director from Hungary, who is obviously operating on a small budget, working within one of the US's most beloved B-movie genres (the film cheaply-made about disgruntled workers), able to transcend the B-movie roots of the film, no doubt sparking many meanings from any viewer (a lesson for small budgeted guerilla filmmakers, seek out unique places like this for filming)?

On a scale of 1-10, I would place it as a 9, because it is powerful in the sense of people trying to make sense of their working conditions (and the movie draws you into group concerns and then leaves with an individual to see how he grapples with the insanity of his environment)... for awhile, I haven't seen such a movie, operating in any genre sense that explores contemporary worker anxiety so effectively. It has those B movie roots (which I think help it from becoming to pretentious), but damn if it didn't make me think about a lot of important ideas--isn't this what we want from film?

The film examines working-class (as in people who have no "control" over their work or workplace) concerns, it is very boisterous and stupid, yet still, it has a sharp edge, probably ignored only by those that are able to escape that "class" observation tower (in your daily life how often do you feel as if you are being observed?)...

There is a lot more to this film and I would always look forward to talking to people bout the deeper aspects.

So I am off to look for my teddy bear (see the film ;)

Thursday, February 16, 2006

Sarah Baxter and Michael Smith: CIA chief sacked for opposing torture

(It says a lot when the top spys at your intelligence agency are so worried about the direction of their government they are leaking information about their misdeeds... Courtesy of Joseph at Harlequin Knights)

CIA chief sacked for opposing torture
by Sarah Baxter and Michael Smith
Washington Times

The CIA’s top counter-terrorism official was fired last week because he opposed detaining Al-Qaeda suspects in secret prisons abroad, sending them to other countries for interrogation and using forms of torture such as “water boarding”, intelligence sources have claimed.

Robert Grenier, head of the CIA counter-terrorism centre, was relieved of his post after a year in the job. One intelligence official said he was “not quite as aggressive as he might have been” in pursuing Al-Qaeda leaders and networks.

Vincent Cannistraro, a former head of counter-terrorism at the agency, said: “It is not that Grenier wasn’t aggressive enough, it is that he wasn’t ‘with the programme’. He expressed misgivings about the secret prisons in Europe and the rendition of terrorists.”

Grenier also opposed “excessive” interrogation, such as strapping suspects to boards and dunking them in water, according to Cannistraro.

Porter Goss, who was appointed head of the CIA in August 2004 with a mission to “clean house”, has been angered by a series of leaks from CIA insiders, including revelations about “black sites” in Europe where top Al-Qaeda detainees were said to have been held.

In last Friday’s New York Times, Goss wrote that leakers within the CIA were damaging the agency’s ability to fight terrorism and causing foreign intelligence organisations to lose confidence. “Too many of my counterparts from other countries have told me, ‘You Americans can’t keep a secret’.”

Goss is believed to have blamed Grenier for allowing leaks to occur on his watch.

Since the appointment of Goss, the CIA has lost almost all its high-level directors amid considerable turmoil.

AB “Buzzy” Krongard, a former executive director of the CIA who resigned shortly after Goss’s arrival, said the leaks were unlikely to stop soon, despite proposals to subject officers to more lie detector tests.

Krongard said it was up to President George Bush to stop the rot. “The agency has only one client: the president of the United States,” he said. “The reorganisation is the way this president wanted it. If he is unwilling to reform it, the agency will go on as it is.”

“History will judge how good an idea it was to destroy the teams and the programmes that were in place.”

Link to the Article

Justin's Howl (until he gives me another name for his poem)

(One of my students)

School school school. Work work work. Time ticks by.
So many people left to open up this soul
So many people have something to sigh.
Wrapped around a pogo stick making revolutions
in an up and down manner until nauseous we
crave and consume molesting the babies and
eating ideals like pez dispensers handing out
condoms but people don't stop fucking everything
up for the little guy cause big guys own 72.3% of
this planet is degenerating and crumbling:buildings
like skyscrapers full of lives:dying and asking
ourselves how they could jump:down the rabbit
hole to the warm place that embraces:fears not
feared not warranted instinct of juxtapose
doppleganger:twins sin just as much as the other:
opposite value misinterpreted hate crimes cram
straight into skull one knife: lobotomy extraction
of what's needed garbage piling up like dead babies
asphyxiating blue heaping into mounds of innocent
rotting flesh but still edible: pitchforks loading
dead ideas and visions corrupting, oh woe is me
for all this weak weak pity throw a party: tea time
will be at precisely tea-thirty and beers at noon:
sun high over moon, squinting eyes fit them both
in same picture until reality of nature absorbs
another god damned tried to figure it out soul.

.justin-

Wednesday, February 15, 2006

Allen Ginsberg: Howl

(Have you ever read this out loud, I mean loud, wall shaking loud, so that neighbors wonder if you are possessed loud--powerful poetry. I'm serious, try reading it out loud once... I just did, damn, its a rush! Can you imagine that first, lucky audience that heard this read live at City Lights Bookstore, or that cool bar next door? Thanks to El Oso who reminded me it was time for my bi-annual reading ;)

A really good examination of the context of "Howl" by Allen Ginsberg:

Litkicks: Howl

HOWL
by Allen Ginsberg


I saw the best minds of my generation destroyed by
madness, starving hysterical naked,
dragging themselves through the negro streets at dawn
looking for an angry fix,
angelheaded hipsters burning for the ancient heavenly
connection to the starry dynamo in the machinery of night,
who poverty and tatters and hollow-eyed and high sat
up smoking in the supernatural darkness of
cold-water flats floating across the tops of cities
contemplating jazz,
who bared their brains to Heaven under the El and
saw Mohammedan angels staggering on tenement roofs illuminated,
who passed through universities with radiant cool eyes
hallucinating Arkansas and Blake-light tragedy
among the scholars of war,
who were expelled from the academies for crazy &
publishing obscene odes on the windows of the skull,
who cowered in unshaven rooms in underwear,
burning their money in wastebaskets and listening
to the Terror through the wall,
who got busted in their pubic beards returning through
Laredo with a belt of marijuana for New York,
who ate fire in paint hotels or drank turpentine in
Paradise Alley, death, or purgatoried their
torsos night after night
with dreams, with drugs, with waking nightmares,
alcohol and cock and endless balls,
incomparable blind; streets of shuddering cloud and
lightning in the mind leaping toward poles of Canada & Paterson,
illuminating all the motionless world of Time between,
Peyote solidities of halls, backyard green tree cemetery
dawns, wine drunkenness over the rooftops,
storefront boroughs of teahead joyride neon
blinking traffic light, sun and moon and tree
vibrations in the roaring winter dusks of Brooklyn,
ashcan rantings and kind king light of mind,
who chained themselves to subways for the endless
ride from Battery to holy Bronx on benzedrine
until the noise of wheels and children brought
them down shuddering mouth-wracked and
battered bleak of brain all drained of brilliance
in the drear light of Zoo,
who sank all night in submarine light of Bickford's
floated out and sat through the stale beer after
noon in desolate Fugazzi's, listening to the crack
of doom on the hydrogen jukebox,
who talked continuously seventy hours from park to
pad to bar to Bellevue to museum to the Brooklyn Bridge,
lost battalion of platonic conversationalists jumping
down the stoops off fire escapes off windowsills
off Empire State out of the moon,
yacketayakking screaming vomiting whispering facts
and memories and anecdotes and eyeball kicks
and shocks of hospitals and jails and wars,
whole intellects disgorged in total recall for seven days
and nights with brilliant eyes, meat for the
Synagogue cast on the pavement,
who vanished into nowhere Zen New Jersey leaving a
trail of ambiguous picture postcards of Atlantic City Hall,
suffering Eastern sweats and Tangerian bone-grind-ings and
migraines of China under junk-with-drawal in Newark's bleak furnished room,
who wandered around and around at midnight in the
railroad yard wondering where to go, and went,
leaving no broken hearts,
who lit cigarettes in boxcars boxcars boxcars racketing
through snow toward lonesome farms in grand-father night,
who studied Plotinus Poe St. John of the Cross telepathy
and bop kabbalah because the cosmos instinctively
vibrated at their feet in Kansas,
who loned it through the streets of Idaho seeking visionary
indian angels who were visionary indian angels,
who thought they were only mad when Baltimore
gleamed in supernatural ecstasy,
who jumped in limousines with the Chinaman of Oklahoma on the impulse of winter midnight street
light smalltown rain,
who lounged hungry and lonesome through Houston
seeking jazz or sex or soup, and followed the
brilliant Spaniard to converse about America
and Eternity, a hopeless task, and so took ship to Africa,
who disappeared into the volcanoes of Mexico leaving
behind nothing but the shadow of dungarees
and the lava and ash of poetry scattered in fireplace Chicago,
who reappeared on the West Coast investigating the
F.B.I. in beards and shorts with big pacifist
eyes sexy in their dark skin passing out incomprehensible leaflets,
who burned cigarette holes in their arms protesting
the narcotic tobacco haze of Capitalism,
who distributed Supercommunist pamphlets in Union
Square weeping and undressing while the sirens
of Los Alamos wailed them down, and wailed
down Wall, and the Staten Island ferry also wailed,
who broke down crying in white gymnasiums naked
and trembling before the machinery of other skeletons,
who bit detectives in the neck and shrieked with delight
in policecars for committing no crime but their
own wild cooking pederasty and intoxication,
who howled on their knees in the subway and were
dragged off the roof waving genitals and manuscripts,
who let themselves be fucked in the ass by saintly
motorcyclists, and screamed with joy,
who blew and were blown by those human seraphim,
the sailors, caresses of Atlantic and Caribbean love,
who balled in the morning in the evenings in rose
gardens and the grass of public parks and
cemeteries scattering their semen freely to
whomever come who may,
who hiccuped endlessly trying to giggle but wound up
with a sob behind a partition in a Turkish Bath
when the blond & naked angel came to pierce
them with a sword,
who lost their loveboys to the three old shrews of fate
the one eyed shrew of the heterosexual dollar
the one eyed shrew that winks out of the womb
and the one eyed shrew that does nothing but
sit on her ass and snip the intellectual golden
threads of the craftsman's loom,
who copulated ecstatic and insatiate with a bottle of
beer a sweetheart a package of cigarettes a candle and fell off the bed, and continued along
the floor and down the hall and ended fainting
on the wall with a vision of ultimate cunt and
come eluding the last gyzym of consciousness,
who sweetened the snatches of a million girls trembling
in the sunset, and were red eyed in the morning
but prepared to sweeten the snatch of the sun
rise, flashing buttocks under barns and naked in the lake,
who went out whoring through Colorado in myriad
stolen night-cars, N.C., secret hero of these
poems, cocksman and Adonis of Denver-joy
to the memory of his innumerable lays of girls
in empty lots & diner backyards, moviehouses'
rickety rows, on mountaintops in caves or with
gaunt waitresses in familiar roadside lonely petticoat upliftings & especially secret gas-station
solipsisms of johns, & hometown alleys too,
who faded out in vast sordid movies, were shifted in
dreams, woke on a sudden Manhattan, and
picked themselves up out of basements hung
over with heartless Tokay and horrors of Third
Avenue iron dreams & stumbled to unemployment offices,
who walked all night with their shoes full of blood on
the snowbank docks waiting for a door in the
East River to open to a room full of steamheat and opium,
who created great suicidal dramas on the apartment
cliff-banks of the Hudson under the wartime
blue floodlight of the moon & their heads shall
be crowned with laurel in oblivion,
who ate the lamb stew of the imagination or digested
the crab at the muddy bottom of the rivers of Bowery,
who wept at the romance of the streets with their
pushcarts full of onions and bad music,
who sat in boxes breathing in the darkness under the
bridge, and rose up to build harpsichords in their lofts,
who coughed on the sixth floor of Harlem crowned
with flame under the tubercular sky surrounded
by orange crates of theology,
who scribbled all night rocking and rolling over lofty
incantations which in the yellow morning were
stanzas of gibberish,
who cooked rotten animals lung heart feet tail borsht
& tortillas dreaming of the pure vegetable kingdom,
who plunged themselves under meat trucks looking for an egg,
who threw their watches off the roof to cast their ballot
for Eternity outside of Time, & alarm clocks
fell on their heads every day for the next decade,
who cut their wrists three times successively unsuccessfully, gave up and were forced to open antique
stores where they thought they were growing
old and cried,
who were burned alive in their innocent flannel suits
on Madison Avenue amid blasts of leaden verse
& the tanked-up clatter of the iron regiments
of fashion & the nitroglycerine shrieks of the
fairies of advertising & the mustard gas of sinister intelligent editors, or were run down by the
drunken taxicabs of Absolute Reality,
who jumped off the Brooklyn Bridge this actually happened and walked away unknown and forgotten
into the ghostly daze of Chinatown soup alley
ways & firetrucks, not even one free beer,
who sang out of their windows in despair, fell out of
the subway window, jumped in the filthy Passaic, leaped on negroes,
cried all over the street,
danced on broken wineglasses barefoot smashed
phonograph records of nostalgic European
1930s German jazz finished the whiskey and
threw up groaning into the bloody toilet, moans
in their ears and the blast of colossal steam whistles,
who barreled down the highways of the past journeying
to each other's hotrod-Golgotha jail-solitude
watch or Birmingham jazz incarnation,
who drove crosscountry seventytwo hours to find out
if I had a vision or you had a vision or he had
a vision to find out Eternity,
who journeyed to Denver, who died in Denver, who
came back to Denver & waited in vain, who
watched over Denver & brooded & loned in
Denver and finally went away to find out the
Time, & now Denver is lonesome for her heroes,
who fell on their knees in hopeless cathedrals praying
for each other's salvation and light and breasts,
until the soul illuminated its hair for a second,
who crashed through their minds in jail waiting for
impossible criminals with golden heads and the
charm of reality in their hearts who sang sweet
blues to Alcatraz,
who retired to Mexico to cultivate a habit, or Rocky
Mount to tender Buddha or Tangiers to boys
or Southern Pacific to the black locomotive or
Harvard to Narcissus to Woodlawn to the
daisychain or grave,
who demanded sanity trials accusing the radio of hyp
notism & were left with their insanity & their
hands & a hung jury,
who threw potato salad at CCNY lecturers on Dadaism
and subsequently presented themselves on the
granite steps of the madhouse with shaven heads
and harlequin speech of suicide, demanding instantaneous lobotomy,
and who were given instead the concrete void of insulin
Metrazol electricity hydrotherapy psychotherapy occupational
therapy pingpong & amnesia,
who in humorless protest overturned only one symbolic
pingpong table, resting briefly in catatonia,
returning years later truly bald except for a wig of
blood, and tears and fingers, to the visible mad
man doom of the wards of the madtowns of the East,
Pilgrim State's Rockland's and Greystone's foetid
halls, bickering with the echoes of the soul,
rocking and rolling in the midnight solitude-bench
dolmen-realms of love, dream of life a nightmare,
bodies turned to stone as heavy as the moon,
with mother finally ******, and the last fantastic book
flung out of the tenement window, and the last
door closed at 4. A.M. and the last telephone
slammed at the wall in reply and the last furnished room
emptied down to the last piece of mental furniture,
a yellow paper rose twisted on a wire hanger in the closet,
and even that imaginary,
nothing but a hopeful little bit of hallucination
ah, Carl, while you are not safe I am not safe, and
now you're really in the total animal soup of time
and who therefore ran through the icy streets obsessed
with a sudden flash of the alchemy of the use
of the ellipse the catalog the meter & the vibrating plane,
who dreamt and made incarnate gaps in Time & Space
through images juxtaposed, and trapped the
archangel of the soul between 2 visual images
and joined the elemental verbs and set the noun
and dash of consciousness together jumping
with sensation of Pater Omnipotens Aeterna Deus
to recreate the syntax and measure of poor human
prose and stand before you speechless and intelligent
and shaking with shame,
rejected yet confessing out the soul to conform to the rhythm
of thought in his naked and endless head,
the madman bum and angel beat in Time, unknown,
yet putting down here what might be left to say
in time come after death,
and rose reincarnate in the ghostly clothes of jazz in
the goldhorn shadow of the band and blew the
suffering of America's naked mind for love into
an eli eli lamma lamma sabacthani saxophone
cry that shivered the cities down to the last radio
with the absolute heart of the poem of life butchered
out of their own bodies good to eat a thousand years.
What sphinx of cement and aluminum bashed open
their skulls and ate up their brains and imagination?
Moloch! Solitude! Filth! Ugliness! Ashcans and unob
tainable dollars! Children screaming under the
stairways! Boys sobbing in armies! Old men
weeping in the parks!
Moloch! Moloch! Nightmare of Moloch! Moloch the
loveless! Mental Moloch! Moloch the heavy
judger of men!
Moloch the incomprehensible prison! Moloch the
crossbone soulless jailhouse and Congress of
sorrows! Moloch whose buildings are judgment!
Moloch the vast stone of war! Moloch the stunned governments!
Moloch whose mind is pure machinery! Moloch whose
blood is running money! Moloch whose fingers
are ten armies! Moloch whose breast is a cannibal dynamo!
Moloch whose ear is a smoking tomb!
Moloch whose eyes are a thousand blind windows!
Moloch whose skyscrapers stand in the long
streets like endless Jehovahs! Moloch whose factories
dream and croak in the fog! Moloch whose
smokestacks and antennae crown the cities!
Moloch whose love is endless oil and stone! Moloch
whose soul is electricity and banks! Moloch
whose poverty is the specter of genius! Moloch
whose fate is a cloud of sexless hydrogen!
Moloch whose name is the Mind!
Moloch in whom I sit lonely! Moloch in whom I dream
Angels! Crazy in Moloch! Cocksucker in
Moloch! Lacklove and manless in Moloch!
Moloch who entered my soul early! Moloch in whom
I am a consciousness without a body! Moloch
who frightened me out of my natural ecstasy!
Moloch whom I abandon! Wake up in Moloch!
Light streaming out of the sky!
Moloch! Moloch! Robot apartments! invisible suburbs!
skeleton treasuries! blind capitals! demonic
industries! spectral nations! invincible mad
houses! granite cocks! monstrous bombs!
They broke their backs lifting Moloch to Heaven! Pave-
ments, trees, radios, tons! lifting the city to
Heaven which exists and is everywhere about us!
Visions! omens! hallucinations! miracles! ecstasies!
gone down the American river!
Dreams! adorations! illuminations! religions! the whole
boatload of sensitive bullshit!
Breakthroughs! over the river! flips and crucifixions!
gone down the flood! Highs! Epiphanies! Despairs!
Ten years' animal screams and suicides!
Minds! New loves! Mad generation! down on
the rocks of Time!
Real holy laughter in the river! They saw it all! the
wild eyes! the holy yells! They bade farewell!
They jumped off the roof! to solitude! waving!
carrying flowers! Down to the river! into the street!
Carl Solomon! I'm with you in Rockland
where you're madder than I am
I'm with you in Rockland
where you must feel very strange
I'm with you in Rockland
where you imitate the shade of my mother
I'm with you in Rockland
where you've murdered your twelve secretaries
I'm with you in Rockland
where you laugh at this invisible humor
I'm with you in Rockland
where we are great writers on the same dreadful typewriter
I'm with you in Rockland
where your condition has become serious and
is reported on the radio
I'm with you in Rockland
where the faculties of the skull no longer admit
the worms of the senses
I'm with you in Rockland
where you drink the tea of the breasts of the
spinsters of Utica
I'm with you in Rockland
where you pun on the bodies of your nurses the
harpies of the Bronx
I'm with you in Rockland
where you scream in a straightjacket that you're
losing the game of the actual pingpong of the abyss
I'm with you in Rockland
where you bang on the catatonic piano the soul
is innocent and immortal it should never die
ungodly in an armed madhouse
I'm with you in Rockland
where fifty more shocks will never return your
soul to its body again from its pilgrimage to a
cross in the void
I'm with you in Rockland
where you accuse your doctors of insanity and
plot the Hebrew socialist revolution against the
fascist national Golgotha
I'm with you in Rockland
where you will split the heavens of Long Island
and resurrect your living human Jesus from the
superhuman tomb
I'm with you in Rockland
where there are twenty-five-thousand mad com-
rades all together singing the final stanzas of
the Internationale
I'm with you in Rockland
where we hug and kiss the United States under
our bedsheets the United States that coughs all
night and won't let us sleep
I'm with you in Rockland
where we wake up electrified out of the coma
by our own souls' airplanes roaring over the
roof they've come to drop angelic bombs the
hospital illuminates itself imaginary walls collapse
O skinny legions run outside O starry
spangled shock of mercy the eternal war is
here O victory forget your underwear we're free
I'm with you in Rockland
in my dreams you walk dripping from a sea-
journey on the highway across America in tears
to the door of my cottage in the Western night

Elephants w/ The Capes @ The Dame: Feb 15th

:: Wednesday, February 15 ::
ELEPHANTS w/THE CAPES @ The Dame
9pm, ages 21+, $5

The Elephants are an important force in Lexington's burgeoning music scene. Directly descended from legendary bands like Television, the Elephants have filtered their hard-edged punk attitude through tight pop aesthetics. In their case, though, their "punk" attitude is backed by skilled musicians, and their pop is not bubble gum, it is the "pop" of poetry that hits you full in the face with the recognition of
something real and something so fucking right! – Michael Benton

Hear the Elephants for yourself at The Elephants

Michelle Leder: How the Other Half Banks

All the former underground businesses of organized crime are now comfortably operated by corporations who are making huge profits from vice. Think about it, corporations (and the government) run gambling/numbers operations, supply drugs to make us forgot about our problems, distribute pornography (see Eric Schlosser posting below), etc. Now some corporations have become the biggest sharks in the short-term loan business...

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"How the Other Half Banks: The depressing, amazing 'payday loan' business."
By Michelle Leder
Slate

Many Americans—particularly those who don't live paycheck to paycheck—are unfamiliar with the payday-loan industry, one of the nation's fastest-growing and most depressing businesses. Payday advance companies offer tiny, short-term loans—a few hundred bucks for a few weeks—while charging annual interest rates that top 500 percent. Borrow $200 today, pay back $240 or $250 on payday. (Some may think that charging those kinds of rates must be illegal, that it's equivalent to loan sharking by mobsters. In this Slate article, Brendan Koerner explained why loan sharking, which actually charges much lower rates, is against the law and payday loans aren't.)

Read the Entire Article

El Oso: Market Viraling, Part 1 and 2

This blog sponsored by (actually I've been approached a few times to publicize/profit here--but just can't do it, I guess my society would consider me stupid--to me it would violate the spirit of Dialogic)...

Market Viraling, Pt. 1

Market Viraling, Pt. 2

Also check out:

Propaganda Nation