Showing posts with label Autoethnography. Show all posts
Showing posts with label Autoethnography. Show all posts

Wednesday, May 26, 2010

Michael Benton: I Am Past Imperfect

(Nods to Eviatar Zerubavel, Tim O'Brien, Friedrich Nietzsche, Gilles Deleuze, Felix Guattari, Critical Art Ensemble, Crimethinc., Errol Morris, Guillermo Gomez-Pena, Philip K. Dick, Parker Palmer, Robert McChesney, Evelyn Fox Keller, Howard Zinn, Krzysztof Kieslowski, Charlie Kaufman and my far-flung archiving comrades... who had nothing directly to do with this writing, but definitely influenced the current self that produced it.)

“I Am Past Imperfect”
by Michael Dean Benton



The little boys make up the man. A collection of little boys nestled together and masked to the world as an individual man. Russian Dolls situated one in another, each new incarnation rising out of the collective to claim the seat of power like a Roman autocrat, shouting out to the world I am "The Man." Each ascending self, conceiving of their self, as an immortal individual. Foolish little selves thinking that they will rule forever. Foolish little selves believing they are "The Man."

How do I remember who I am? Can one peel back the layers of one’s selves and penetrate to the core? Will I only find a million little pieces that people will revile as false and misleading? Is it just one missing piece somehow stuffed in the pocket of one of my selves that can make me whole? Can I ever be whole, or, is that just an illusion? Do we only become complete in death, our last breath, the author’s signature? Is the seeking of completeness a fool’s errand?

I’m sure this task requires a sense of humor because the surgeon of the soul exposes foolish personas; but mocking laughter would not be the worst effect, insecurities would be exposed, fears confronted, and hatred examined. My life has been violent. My life has been peaceful. My life has been boring. Do I have the courage to travel down the road that leads to the abyss? Can I stomach the dark tea time of the soul?

However foolish I have been in the past, my future self, now, now, now, now, now, recognizes the (im)possibility of truth(s). We re-member and re-cognize the past. The act of remembering reconstructs the past. The viewer gives meaning to the view. I remember what I remember today and will remember what I remember tomorrow. No one can expect these memories to remain the same. I am but an archivist of the self, pulling traces out of my clogged brain, seeking narrative sense, pulling fragments together, a collage of the selves represented as a self. Restor(y)ing the self.

This will be a horror story. No. This will be a bildungsroman. No. This will be a romance. No. This will be a comedy. No. Can we label today what may change tomorrow? No. This will be a true story? No. Yes. Maybe. Depending on what you conceive of as the truth. Some may even re-cognize themselves in what I write, but I warn you it is not you I write about, although, you might ask why it is I am writing about you? You might ask what is in you that you recognize in my story? You bring your own story to my tale in completing it anew for you. My story becomes our story when you read it, like love’s warm embrace, each union is unique. A fiction full of lovers, come feel my key stroke, aching to unite with you and create new meanings.

This will not be a true story. Yes! No! Maybe? This will be a true story. Yes! No! Maybe? What has always amazed me the most in life is not that so many people remember the same event/moment differently. No, that seems obvious to my 21st Century Mind, what amazes, nay, scares me, is how so many people, and societies, are able to erase the distinctive and memorable recognition that memories are but constructs of the moment and will change again and again and again. This is the violence we do to ourselves, a violence as deep and painful as our erasure of the fact that one day we will not exist. We are past imperfect.

So, what will follow is the absolute truth…

Tuesday, April 27, 2010

Kentucky Historical Society to Show “Stranger with a Camera,” Host Filmmaker Elizabeth Barret (April 27)

KHS to Show “Stranger with a Camera,” Host Filmmaker Elizabeth Barret
Date : Tuesday, April 27, 2010
Issued By : Kentucky Historical Society
Summary : The Kentucky Historical Society (KHS) film series will show "Stranger with a Camera" at 6:30 p.m. on Thursday, May 13 at the Thomas D. Clark Center for Kentucky History in Frankfort. Elizabeth Barret, the director of the documentary, will be in attendance at the showing.



Here is an earlier post I wrote about this documentary

Stranger With a Camera
Directed by Elizabeth Barret
Appalshop Films, 2000.

Highly recommended for its narrative structure and its meditation on media representation through the highly charged murder of a documentary filmmaker while he was filming in Appalachia. Barret, a native of the Appalachia region of Eastern Kentucky, self-reflectively attempts to represent what led up to the murder while at the same time understanding the impossibility of fully understanding these events. This is a great example of autoethnography in the Appalshop community-based filmmaking tradition. It led this reviewer to ponder what is the responsibility of the media (and researchers, governments, NGos, etc...) in representing cultures/communities.

Unfortunately it isn't available online or in most video stores, so trek on over to your nearby university or public library and see if they have a copy (if not request that they get one--most libraries are actually very cool about acquiring materials for patrons).

ITVS Site for the Documentary

PBS Site for the Documentary and Further Resources

NPR Interview with Elizabeth Barret

Austin Chronicle Review/Interview

The Media Interrogated in Stranger With a Camera

Appalshop site for the Documentary

Appalshop Films

Comparison of Blair Witch and Stranger with a Camera? (very good analysis)

Califronia Newsreel Review

INTERPRETING FILM: MEANING AND REPRESENTATION, CULTURE AND POLITICS, THE TRUMAN SHOW AND STRANGER WITH A CAMERA