Showing posts with label Henry Giroux. Show all posts
Showing posts with label Henry Giroux. Show all posts

Tuesday, March 01, 2011

Henry Giroux: Left Behind? American Youth and the Global Fight for Democracy

Left Behind? American Youth and the Global Fight for Democracy
by Henry Giroux
Truthout

...

Student resistance in the United States must be viewed within a broader political landscape that, with few exceptions, remains unexamined. In the first instance, students in Western Europe, in particular, are faced with a series of crises that are more immediate, bold and radical in their assault on young people and the institutions that bear down heavily on their lives. In the face of the economic recession, educational budgets are being cut in take-no-prisoners extreme fashion; the social state is being radically dismantled; tuition costs have spiked exponentially; and unemployment rates for young people are far higher than in the United States (with the exception of youth in poor minority communities). European students have experienced a massive and bold assault on their lives, educational opportunities and their future. Moreover, European students live in societies where it becomes more difficult to collapse public life into largely private considerations. Students in these countries have access to a wider range of critical public spheres; politics in many of these countries has not collapsed entirely into the spectacle of celebrity/commodity culture; left-oriented political parties still exist; and labor unions have more political and ideological clout than they do in the United States. Alternative newspapers, progressive media and a profound sense of the political constitute elements of a vibrant, critical, formative culture and range of public spheres that have not erased the possibility to think critically, engage in political dissent, organize collectively and inhabit public spaces in which alternative and critical theories can be developed.

Because of the diverse nature of how higher education is financed and governed in the United States, the assault on colleges and universities has been less uniform and differentially spread out among community colleges, public universities and elite colleges, thus lacking a unified and highly oppressive narrative against which to position resistance. Moreover, the campus "culture wars" narrative has served to galvanize many youth around a reactionary cultural project while distancing them from the very nature of the economic and political assault on their future. All this suggests another set of questions has to be raised. The more important questions, ones which do not reproduce the all-too-commonplace demonization of young people as apathetic, are twofold. First, the issue should not be why there have been no student protests, but why have the protests that have happened not been more widespread, linked, sustained? The student protests against the draconian right-wing policies attempting to destroy the union rights and collective bargaining power of teachers supported by Republican Gov. Scott Walker in Wisconsin is one example indicating that students are engaged and concerned. There are also smaller student protests taking place at various colleges, including Berkeley, CUNY, and on other campuses throughout the United States. But student activists appear to constitute a minority of students, with very few enrolled in professional programs. Most student activists are coming from the arts, social sciences and humanities (the conscience of the college). Second, there is the crucial issue of what sort of conditions have young people inherited in American society that has undermined their ability to be critical agents capable of waging a massive protest movement against the growing injustices they face on a daily basis? After all, the assault on higher education in the United States, while not as severe as in Europe, still suggests ample reasons for students to be in the streets protesting such policies. Close to 43 states have pledged major cuts to higher education in order to compensate for insufficient state funding. This means an unprecedented hike in tuition rates is being implemented, enrollments are being slashed, salaries are being reduced and need-based scholarships in some states are being eliminated. Pell Grants, which allow poor students to attend college, are being cut. Robert Reich has chronicled some of the impacts on university budgets, which include: Georgia cutting "state funding for higher education by $151 million"; Michigan reducing "student financial aid by $135 million";(29) Florida raising tuition in its 11 public universities by 15 percent; and the University of California increasing tuition by 40 percent in two years.(30) As striking as these increases are, tuition has steadily risen over the past several decades, becoming a disturbingly normative feature of post-secondary education.

One reason students are not protesting these cuts in large numbers may be that, by the time the average American student now graduates, he or she has not only a degree, but also an average debt of about $23,000.(31) The vast majority must balance jobs with academics, leaving no opportunity to protest, however motivated a student might be. This debt amounts to a growing form of indentured servitude for many students that both undercuts any viable notion of social activism and is exacerbated by the fact that "unemployment for recent college graduates jumped from 5.8 percent to 8.7 percent in 2009." (32) Crippling debt plus few job opportunities in a society in which individuals are relentlessly held as solely responsible for the problems they experience leaves little room for rethinking the importance of larger social issues and the necessity for organized collective action against systemic injustices. In addition, as higher education becomes one of the most fundamental requirements for employment, many universities have reconfigured their mission exclusively in corporate terms, replacing education with training and defining students as consumers, faculty as a cheap form of subaltern labor and entire academic departments as "cost centers and revenue production units."(33) No longer seen as a social or public good, higher education is increasingly viewed less as a site of struggle than as a credential mill for success in the global economy.
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Meanwhile, not only have academic jobs been disappearing, but given the shift to an instrumentalist education that is technicist in nature, students have been confronted for quite some time with a vanishing culture for sustained critical thinking. As universities and colleges emphasize market-based skills, students are neither learning how to think critically nor how to connect private troubles with larger public issues. The humanities continue to be downsized, eliminating one source of learning that encourages students to develop a commitment to public values, social responsibilities and the broader demands of critical citizenship. Moreover, critical thinking has been devalued as a result of the growing corporatization of higher education. Under the influence of corporate values, thought in its most operative sense loses its modus operandi as a critical mediation on "civilization, existence and forms of evaluation."(34) Increasingly, it has become more difficult for students to recognize how their education in the broadest sense has been systematically devalued and how this not only undercuts their ability to be engaged critics, but contributes further to making American democracy dysfunctional. How else to explain the reticence of students in protesting against tuition hikes? The forms of instrumental training they receive undermine any critical capacity to connect the fees they pay to the fact that the United States puts more money into the funding of war, armed forces and military weaponry than the next 25 countries combined - money that could otherwise fund higher education.(35)

The inability both to be critical of such injustices and to relate them to a broader understanding of politics, suggests a failure to think outside of the normative sensibilities of a neoliberal ideology that isolates knowledge and normalizes its own power relations. In fact, one recent study found that "45 percent of students show no significant improvement in the key measures of critical thinking, complex reasoning and writing by the end of their sophomore years."(36) The corporatization of schooling over the last few decades has done more than make universities into adjuncts of corporate power. It has also produced a culture of illiteracy and undermined the conditions necessary to enable students to be engaged and critical agents. The value of knowledge is now linked to a crude instrumentalism and the only mode of education that seems to matter is one that enthusiastically endorses learning marketable skills, embracing a survival-of-the-fittest ethic and defining the good life solely through accumulation and disposing of the latest consumer goods. Academic knowledge has been stripped of its value as a social good; to be relevant and therefore funded, knowledge has to justify itself in market terms or simply perish.

Enforced privatization, the closing down of critical public spheres and the endless commodification of all aspects of social life have created a generation of students, who are increasingly being reared in a society in which politics is viewed as irrelevant, just as the struggle for democracy is erased from social memory. This is not to suggest that Americans have abandoned the notion that ideas have power or that ideologies and visions can move people. Unfortunately, the institutions and cultural apparatuses that generate such ideas seem to be primarily controlled by the corporate media, right-wing think tanks, and other conservative groups. Public pedagogy is dominated by the right, whose activities proceed, more often than not, unchallenged from a left that has never taken public pedagogy seriously as part of its political strategy. The rise of the Tea Party movement seems to have no counterpart among progressives, especially young people, though this may change given the arrogant and right-wing attack being waged on unions, public-sector workers and public school educators in Wisconsin, Florida, Ohio, New Jersey, and other states where Tea Party candidates have come to power.(37)

In a social order dominated by the relentless privatizing and commodification of everyday life and the elimination of critical public spheres, young people find themselves in a society in which the formative cultures necessary for a democracy to exist have been more or less eliminated, reduced to spectacles of consumerism made palatable through a daily diet of game shows, reality TV and celebrity culture. What is particularly troubling in American society is the absence of vital, formative cultures necessary to construct questioning agents, who are capable of seeing through the consumer come-ons, who can dissent and act collectively in an increasingly imperiled democracy. Sheldon Wolin is instructive in his insistence that the creation of a democratic, formative culture is fundamental to enabling both political agency and a critical understanding of what it means to sustain a viable democracy. According to Wolin,

democracy is about the conditions that make it possible for ordinary people to better their lives by becoming political beings and by making power responsive to their hopes and needs. What is at stake in democratic politics is whether ordinary men and women can recognize that their concerns are best protected and cultivated under a regime whose actions are governed by principles of commonality, equality and fairness, a regime in which taking part in politics becomes a way of staking out and sharing in a common life and its forms of self-fulfillment. Democracy is not about bowling together but about managing together those powers that immediately and significantly affect the lives and circumstances of others and one's self.(38)


Instead of public spheres that promote dialogue, debate and arguments with supporting evidence, American society offers young people a conservatizing, deformative culture through entertainment spheres that infantilize almost everything they touch, while legitimating opinions that utterly disregard evidence, reason, truth and civility. The delete button has replaced the critical knowledge and the modes of education needed for intimacy, long-term commitments and the search for the good society. Attachments are short-lived and the pleasure of instant gratification cancels out the coupling of freedom, reason and responsibility. As a long-term social investment, young people are now viewed as a liability, if not a pathology. No longer a symbol of hope and the future, they are viewed as a drain on the economy and if they do not assume the role of functioning consumers, they are considered disposable.

To Read the Entire Essay

Friday, January 28, 2011

Henry Giroux: Howard Zinn, A Public Intellectual Who Mattered

[Howard Zinn died a year ago on January 27th. Giroux's essay below is a good testament to his continuing importance. Our remembrance from last year: "So long Howard Zinn. It’s been good to know ya"]


Howard Zinn, A Public Intellectual Who Mattered
by Henry Giroux
TruthOut

In 1977 I took my first job in higher education at Boston University. One reason I went there was because Howard Zinn was teaching there at the time. As a high school teacher, Howard's book, "Vietnam: the Logic of Withdrawal," published in 1968, had a profound effect on me. Not only was it infused with a passion and sense of commitment that I admired as a high school teacher and tried to internalize as part of my own pedagogy, but it captured something about the passion, sense of commitment and respect for solidarity that came out of Howard's working-class background. It offered me a language, history and politics that allowed me to engage critically and articulate my opposition to the war that was raging at the time.

I grew up in Providence, Rhode Island, and rarely met or read any working-class intellectuals. After reading James Baldwin, hearing William Kunstler and Stanley Aronowitz give talks, I caught a glimpse of what it meant to occupy such a fragile, contradictory and often scorned location. But reading Howard gave me the theoretical tools to understand more clearly how the mix of biography, cultural capital and class location could be finely honed into a viable and laudable politics.

Later, as I got to know Howard personally, I was able to fill in the details about his working-class background and his intellectual development. We had grown up in similar neighborhoods, shared a similar cultural capital and we both probably learned more from the streets than we had ever learned in formal schooling. There was something about Howard's fearlessness, his courage, his willingness to risk not just his academic position, but also his life, that marked him as special - untainted by the often corrupting privileges of class entitlement.

Before I arrived in Boston to begin teaching at Boston University, Howard was a mythic figure for me and I was anxious to meet him in real life. How I first encountered him was perfectly suited to the myth. While walking to my first class, as I was nearing the university, filled with the trepidation of teaching a classroom of students, I caught my first glimpse of Howard. He was standing on a box with a bullhorn in front of the Martin Luther King memorial giving a talk calling for opposition to Silber's attempt to undermine any democratic or progressive function of the university. The image so perfectly matched my own understanding of Howard that I remember thinking to myself, this has to be the perfect introduction to such a heroic figure.

Soon afterwards, I wrote him a note and rather sheepishly asked if we could meet. He got back to me in a day; we went out to lunch soon afterwards, and a friendship developed that lasted over 30 years. While teaching at Boston University, I often accompanied Howard when he went to high schools to talk about his published work or his plays. I sat in on many of his lectures and even taught one of his graduate courses. He loved talking to students and they were equally attracted to him. His pedagogy was dynamic, directive, focused, laced with humor and always open to dialog and interpretation. He was a magnificent teacher, who shredded all notions of the classroom as a place that was as uninteresting as it was often irrelevant to larger social concerns. He urged his students not just to learn from history, but to use it as a resource to sharpen their intellectual prowess and hone their civic responsibilities.

Howard refused to separate what he taught in the university classroom, or any forum for that matter, from the most important problems and issues facing the larger society. But he never demanded that students follow his own actions; he simply provided a model of what a combination of knowledge, teaching and social commitment meant. Central to Howard's pedagogy was the belief that teaching students how to critically understand a text or any other form of knowledge was not enough. They also had to engage such knowledge as part of a broader engagement with matters of civic agency and social responsibility. How they did that was up to them, but, most importantly, they had to link what they learned to a self-reflective understanding of their own responsibility as engaged individuals and social actors.

He offered students a range of options. He wasn't interested in molding students in the manner of Pygmalion, but in giving them the widest possible set of choices and knowledge necessary for them to view what they learned as an act of freedom and empowerment. There is a certain poetry in his pedagogical style and scholarship and it is captured in his belief that one can take a position without standing still. He captured this sentiment well in a comment he made in his autobiography, "You Can't Be Neutral on a Moving Train." He wrote:

From the start, my teaching was infused with my own history. I would try to be fair to other points of view, but I wanted more than 'objectivity'; I wanted students to leave my classes not just better informed, but more prepared to relinquish the safety of silence, more prepared to speak up, to act against injustice wherever they saw it. This, of course, was a recipe for trouble.


In fact, Howard was under constant attack by John Silber, then president of Boston University, because of his scholarship and teaching. One expression of that attack took the form of freezing Howard's salary for years.

To Read the Rest of the Essay

Sunday, January 31, 2010

Henry A. Giroux: Howard Zinn -- A Public Intellectual Who Mattered

Howard Zinn: A Public Intellectual Who Mattered
by Henry A. Giroux
Truthout

In 1977 I took my first job in higher education at Boston University. One reason I went there was because Howard Zinn was teaching there at the time. As a high school teacher, Howard's book, "Vietnam: the Logic of Withdrawal," published in 1968, had a profound effect on me. Not only was it infused with a passion and sense of commitment that I admired as a high school teacher and tried to internalize as part of my own pedagogy, but it captured something about the passion, sense of commitment and respect for solidarity that came out of Howard's working-class background. It offered me a language, history and politics that allowed me to engage critically and articulate my opposition to the war that was raging at the time.

I grew up in Providence, Rhode Island, and rarely met or read any working-class intellectuals. After reading James Baldwin, hearing William Kunstler and Stanley Aronowitz give talks, I caught a glimpse of what it meant to occupy such a fragile, contradictory and often scorned location. But reading Howard gave me the theoretical tools to understand more clearly how the mix of biography, cultural capital and class location could be finely honed into a viable and laudable politics.

Later, as I got to know Howard personally, I was able to fill in the details about his working-class background and his intellectual development. We had grown up in similar neighborhoods, shared a similar cultural capital and we both probably learned more from the streets than we had ever learned in formal schooling. There was something about Howard's fearlessness, his courage, his willingness to risk not just his academic position, but also his life, that marked him as special - untainted by the often corrupting privileges of class entitlement.

Before I arrived in Boston to begin teaching at Boston University, Howard was a mythic figure for me and I was anxious to meet him in real life. How I first encountered him was perfectly suited to the myth. While walking to my first class, as I was nearing the university, filled with the trepidation of teaching a classroom of students, I caught my first glimpse of Howard. He was standing on a box with a bullhorn in front of the Martin Luther King memorial giving a talk calling for opposition to Silber's attempt to undermine any democratic or progressive function of the university. The image so perfectly matched my own understanding of Howard that I remember thinking to myself, this has to be the perfect introduction to such a heroic figure.

Soon afterwards, I wrote him a note and rather sheepishly asked if we could meet. He got back to me in a day; we went out to lunch soon afterwards, and a friendship developed that lasted over 30 years. While teaching at Boston University, I often accompanied Howard when he went to high schools to talk about his published work or his plays. I sat in on many of his lectures and even taught one of his graduate courses. He loved talking to students and they were equally attracted to him. His pedagogy was dynamic, directive, focused, laced with humor and always open to dialog and interpretation. He was a magnificent teacher, who shredded all notions of the classroom as a place that was as uninteresting as it was often irrelevant to larger social concerns. He urged his students not just to learn from history, but to use it as a resource to sharpen their intellectual prowess and hone their civic responsibilities.

Howard refused to separate what he taught in the university classroom, or any forum for that matter, from the most important problems and issues facing the larger society. But he never demanded that students follow his own actions; he simply provided a model of what a combination of knowledge, teaching and social commitment meant. Central to Howard's pedagogy was the belief that teaching students how to critically understand a text or any other form of knowledge was not enough. They also had to engage such knowledge as part of a broader engagement with matters of civic agency and social responsibility. How they did that was up to them, but, most importantly, they had to link what they learned to a self-reflective understanding of their own responsibility as engaged individuals and social actors.

He offered students a range of options. He wasn't interested in molding students in the manner of Pygmalion, but in giving them the widest possible set of choices and knowledge necessary for them to view what they learned as an act of freedom and empowerment. There is a certain poetry in his pedagogical style and scholarship and it is captured in his belief that one can take a position without standing still. He captured this sentiment well in a comment he made in his autobiography, "You Can't Be Neutral on a Moving Train." He wrote:

"From the start, my teaching was infused with my own history. I would try to be fair to other points of view, but I wanted more than 'objectivity'; I wanted students to leave my classes not just better informed, but more prepared to relinquish the safety of silence, more prepared to speak up, to act against injustice wherever they saw it. This, of course, was a recipe for trouble."


In fact, Howard was under constant attack by John Silber, then president of Boston University, because of his scholarship and teaching. One expression of that attack took the form of freezing Howard's salary for years.

To Read the Rest of the Essay

Sunday, January 03, 2010

Henry A. Giroux: Rethinking Education as the Practice of Freedom -- Paulo Freire and the Promise of Critical Pedagogy

Rethinking Education as the Practice of Freedom: Paulo Freire and the Promise of Critical Pedagogy
by Henry A. Giroux
Truthout

... Freire believed that all education in the broadest sense was part of a project of freedom, and eminently political because it offered students the conditions for self-reflection, a self-managed life and particular notions of critical agency. As Aronowitz puts it in his analysis of Freire's work on literacy and critical pedagogy:

Thus, for Freire literacy was not a means to prepare students for the world of subordinated labor or "careers," but a preparation for a self-managed life. And self-management could only occur when people have fulfilled three goals of education: self-reflection, that is, realizing the famous poetic phrase, "know thyself," which is an understanding of the world in which they live, in its economic, political and, equally important, its psychological dimensions. Specifically "critical" pedagogy helps the learner become aware of the forces that have hitherto ruled their lives and especially shaped their consciousness. The third goal is to help set the conditions for producing a new life, a new set of arrangements where power has been, at least in tendency, transferred to those who literally make the social world by transforming nature and themselves.[4]

What Paulo made clear in "Pedagogy of the Oppressed," his most influential work, is that pedagogy at its best is about neither training, teaching methods nor political indoctrination. For Freire, pedagogy is not a method or an a priori technique to be imposed on all students, but a political and moral practice that provides the knowledge, skills and social relations that enable students to expand the possibilities of what it means to be critical citizens, while expanding and deepening their participation in the promise of a substantive democracy. Critical thinking for Freire was not an object lesson in test taking, but a tool for self-determination and civic engagement. For Freire, critical thinking was not about the task of simply reproducing the past and understanding the present. On the contrary, it offered a way of thinking beyond the present, soaring beyond the immediate confines of one's experiences, entering into a critical dialogue with history and imagining a future that did not merely reproduce the present. Theodor Adorno captures the spirit of Freire's notion of critical thinking by insisting that "Thinking is not the intellectual reproduction of what already exists anyway. As long as it doesn't break off, thinking has a secure hold on possibility. Its insatiable aspect, its aversion to being quickly and easily satisfied, refuses the foolish wisdom of resignation.... Open thinking points beyond itself."[5]

Freire rejected those regimes of educational degradation organized around the demands of the market, instrumentalized knowledge and the priority of training over the pursuit of the imagination, critical thinking and the teaching of freedom and social responsibility. Rather than assume the mantle of a false impartiality, Freire believed that critical pedagogy involves both the recognition that human life is conditioned not determined, and the crucial necessity of not only reading the world critically, but also intervening in the larger social order as part of the responsibility of an informed citizenry. According to Freire, the political and moral demands of pedagogy amount to more than the school and classroom being merely the instrument of official power or assuming the role of an apologist for the existing order, as the Obama administration seems to believe - given its willingness to give Bush's reactionary educational policies a new name and a new lease on life. Freire rejected those modes of pedagogy that supported economic models and modes of agency in which freedom is reduced to consumerism and economic activity is freed from any criterion except profitability and the reproduction of a rapidly expanding mass of wasted humans. Critical pedagogy attempts to understand how power works through the production, distribution and consumption of knowledge within particular institutional contexts and seeks to constitute students as informed subjects and social agents. In this instance, the issue of how identities, values and desires are shaped in the classroom is the grounds of politics. Critical pedagogy is thus invested in both the practice of self-criticism about the values that inform teaching and a critical self-consciousness regarding what it means to equip students with analytical skills to be self-reflective about the knowledge and values they confront in classrooms. Moreover, such a pedagogy attempts not only to provide the conditions for students to understand texts and different modes of intelligibility, but also opens up new avenues for them to make better moral judgments that will enable them to assume some sense of responsibility to the other in light of those judgments.

Freire was acutely aware that what makes critical pedagogy so dangerous to ideological fundamentalists, the ruling elites, religious extremists and right-wing nationalists all over the world is that, central to its very definition, is the task of educating students to become critical agents who actively question and negotiate the relationships between theory and practice, critical analysis and common sense and learning and social change. Critical pedagogy opens up a space where students should be able to come to terms with their own power as critically engaged citizens; it provides a sphere where the unconditional freedom to question and assert is central to the purpose of public schooling and higher education, if not democracy itself. And as a political and moral practice, way of knowing and literate engagement, pedagogy attempts to "make evident the multiplicity and complexity of history."[6] History in this sense is engaged as a narrative open to critical dialogue rather than predefined text to be memorized and accepted unquestioningly. Pedagogy in this instance provides the conditions to cultivate in students a healthy skepticism about power, a "willingness to temper any reverence for authority with a sense of critical awareness."[7] As a performative practice, pedagogy takes as one of its goals the opportunity for students to be able to reflectively frame their own relationship to the ongoing project of an unfinished democracy. It is precisely this relationship between democracy and pedagogy that is so threatening to so many of our educational leaders and spokespersons today and it is also the reason why Freire's work on critical pedagogy and literacy are more relevant today than when they were first published.

According to Freire, all forms of pedagogy represent a particular way of understanding society and a specific commitment to the future. Critical pedagogy, unlike dominant modes of teaching, insists that one of the fundamental tasks of educators is to make sure that the future points the way to a more socially just world, a world in which the discourses of critique and possibility in conjunction with the values of reason, freedom and equality function to alter, as part of a broader democratic project, the grounds upon which life is lived. This is hardly a prescription for political indoctrination, but it is a project that gives critical education its most valued purpose and meaning, which, in part, is "to encourage human agency, not mold it in the manner of Pygmalion."[8] It is also a position, that threatens right-wing private advocacy groups, neoconservative politicians and conservative extremists. Such individuals and groups are keenly aware that critical pedagogy, with its emphasis on the hard work of critical analysis, moral judgments and social responsibility, goes to the very heart of what it means to address real inequalities of power at the social level and to conceive of education as a project for freedom, while at the same time foregrounding a series of important and often ignored questions such as: "What is the role of teachers and academics as public intellectuals? Whose interests does public and higher education serve? How might it be possible to understand and engage the diverse contexts in which education takes place? What is the role of education as a public good? How do we make knowledge meaningful in order to make it critical and transformative? In spite of the right-wing view that equates indoctrination with any suggestion of politics, critical pedagogy is not concerned with simply offering students new ways to think critically and act with authority as agents in the classroom; it is also concerned with providing students with the skills and knowledge necessary for them to expand their capacities both to question deep-seated assumptions and myths that legitimate the most archaic and disempowering social practices that structure every aspect of society and to then take responsibility for intervening in the world they inhabit.

Education is not neutral. It is always directive in its attempt to teach students to inhabit a particular mode of agency; enable them to understand the larger world and one's role in it in a specific way; define their relationship, if not responsibility, to diverse others and to presuppose through what is taught and experienced in the classroom some sort of understanding of a more just, imaginative, and democratic life. Pedagogy is by definition directive, but that does not mean it is merely a form of indoctrination. On the contrary, as Freire argued, education as a practice for freedom must attempt to expand the capacities necessary for human agency and, hence, the possibilities for democracy itself. Surely, this suggests that at all levels of education from the primary school to the privileged precincts of higher education, educators should nourish those pedagogical practices that promote "a concern with keeping the forever unexhausted and unfulfilled human potential open, fighting back all attempts to foreclose and pre-empt the further unraveling of human possibilities, prodding human society to go on questioning itself and preventing that questioning from ever stalling or being declared finished."[9] In other words, critical pedagogy forges both an expanded notion of literacy and agency through a language of skepticism, possibility and a culture of openness, debate and engagement - all those elements now at risk because of the current and most dangerous attacks on public and higher education. This was Paulo's legacy, one that invokes dangerous memories and, hence, is increasingly absent from any discourse about current educational problems.

To Read the Entire Editorial