Issue #18: "B for Bad Cinema"
Colloquy
Introduction: B for Bad Cinema
Julia Vassilieva and Claire Perkins
Excremental Ecstasy, Divine Defecation and Revolting Reception: Configuring a Scatological Gaze in Trash Filmmaking
Zoe Gross
“They don’t call ’em exploitation movies for nothing!”: Joe Bob Briggs and the Critical Commentary on I Spit on Your Grave
Tristan Fidler
Erasing the B out of Bad Cinema: Remaking Identity in The Texas Chainsaw Massacre
Craig Frost
“Fucking Americans”: Postmodern Nationalisms in the Contemporary Splatter Film
Phoebe Fletcher
Their Time Has Come: Bad Cinema Nerds as Late-Capitalist Paradigm
Mark Steven
Snakes on a Plane and the prefabricated cult film
Kirsten Stevens
“Bad Form”: Contemporary Cinema’s Turn to the Perverse. David Lynch: Lost Highway (1997) Lars von Trier: Breaking the Waves (1996)
Hester Joyce and Scott Wilson
The Other Side of Indonesia: New Order’s Indonesian Exploitation Cinema as Cult Films
Ekky Imanjaya
Doing It for the Kids: Rebels and Prom Queens in the Cold War Classroom Film
Anika Ervin-Ward
Family Demons: The Ghost as Domestic Inheritance
Donna McRae
B for Bad, B for Bogus and B for Bold: Rupert Kathner, The Glenrowan Affair and Ned Kelly
Stephen Gaunson
Horror-Ritual: Horror Movie Villains as Collective Representations, Uncanny Metaphors and Ritual Transgressors
Mario Rodriguez
From Kracauer to Clover: Some Reflections on Genre and Gender in 70s/80s Slasher Films
Tyson Namow
General Articles
Roland Barthes's Photobiographies: Towards an “Exemption from Meaning”
Fabien Arribert-Narce
A Re-evaluation of Literature in Active and Critical Audience Studies
John Budarick
Adding ‘Pull’ to ‘Push’ Education in the Context of Neomillennial E-learning: YouTube and the Case of “Diagnosis Wenckebach”
Julie Willems
Arriving in the Future: The Utopia of Here and Now in the Work of Modern-Day Mystics From Eric Fromm to Eckhart Tolle
Thomas Reuter
Ash’s Stasi File as a Script of Life
Catherine Karen Roy
Book Reviews
Geoff Page. 60 Classic Australian Poems. Sydney: UNSW Press, 2009.
Robert Savage
William Marderness. How to Read a Myth. New York: Humanity Books, 2009.
Geoff Berry
Charles Bukowski. Hollywood. Edinburgh: Canongate, 2007.
Geoff Berry
David Damrosch, ed. Teaching World Literature. New York: The Modern Language Association of America, 2009.
Geoff Berry
Robert Savage. Hölderlin after the Catastrophe: Heidegger –Adorno – Brecht. Rochester NY: Camden House, 2009.
David Blencowe
To Access Issue #18
[How do we develop] ways of perceiving therelationships between and among people, our pasts, our pasts’ legacies, our present lives and struggles, our environments, disciplines, and texts. (24)--Johnnella E. Butler, “Reflections on Borderlands and the Color Line.” (2000) "All the languages of heteroglossia ... are specific points of view on the world, forms for conceptualizing the worldinwords, specific worldviews, each characterized by its own objects, meanings, and values.--Bakhtin
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